Archive for March, 2010

Terms Used The In The Stock Photography Business

Wednesday, March 31st, 2010

So you are a small business person or web designer and you want to purchase some stock photography for your website. Great. Photography is a wonderful way to improve the emotional impact of your site. But there are a few terms unique to the stock photography business that you should know.

Royalty Free - you’ll see this term often. What it means is that you pay a one time fee for an image and you can use it for as many times as you want for as long as you wish. It is a great way to get inexpensive photos. Now if you are concerned that your competitor would or could use the same image as you, photographers and agencies can continue to sell the image after you purchase it, then you need:

Rights Managed - this one is next term you’ll see. This means that you pay a fee for the image based on how, where, how long, and how many people will see the image. This one will cost you a lot more in most cases. This is worth it if you do not want your competitor using the same image for the same purpose. Usually the stock agency or photographer also agree not to sell the image to others in your field for the time that you are using the image. So you can see why this option protects your use of the image but you’ll also pay much more for this protection. Remember too that, at some point, you decided to discontinue using/paying for the image the agency or photographer can then sell the image to someone else, even someone in your field.

Flat Rate - this term isn’t quite at common but it is similar to royalty free. Usually this means that you pay a one time fee for an image, but it can only be used for one purpose by one person. Pricing will be higher than royalty free but less than rights managed.

Copyright - even with royalty free you are still only purchasing the right to use an image not the image itself. All images are property of the agency or photographer who owns them. How do you know who owns them, there is usually a © symbol with date and name of the person or agency who owns the image. No matter what you paid for the image you are NOT the owner of the image. This means you cannot remove the copyright information, alter the photo, use it as part of a logo that you own a copyright, or resale the image as your own.

These terms will get you started but remember there can be differences in these definitions from agency to agency and photographer to photographer. Every agency and photographer selling stock images should have a legal or license page to explain these terms and any others that they use, if they don’t you may want to move onto another site. Be aware, read all the information, and know what you are buying.

About The Author

Copyright 2004 Kelly Paal

Kelly Paal is a Freelance Nature and Landscape Photographer, exhibiting nationally and internationally. Recently she started her own business Kelly Paal Photography ( kellypaalphotography.com” target=”_new www.kellypaalphotography.com). She has an educational background in photography, business, and commercial art. She enjoys applying graphic design and photography principles to her web design.

Caring for a New Tattoo

Wednesday, March 31st, 2010

A few tips to help you care for your new tattoo

Next to the beautiful creation of your tattoo, tattoo aftercare is the most important part of your tattoo experience. For the next several days after you receive a tattoo, you must make sure to keep the area clean and bacteria free. Your tattoo artist will give you all the instructions you will need for proper tattoo aftercare.

Beginning with the immediate moments after your tattoo is complete, make sure to keep your bandage firmly in place for at least three hours. When caring for your tattoo, remember it is a work of art, but it is also an open wound that needs to be treated and cared for as such.

Once the bandage is removed, the caring for your tattoo involves cleansing the tattoo area, then drying the wound. Once that step of tattoo aftercare is completed, apply an antibacterial ointment layer to protect your tattoo and prevent scabbing. If your tattoo artist doesn′t provide you with an ointment, ask them to recommend one. Apply the ointment a few times a day (or as instructed by your artist) to keep the area moisturized. Proper aftercare of a tattoo can make this tattoo experience very worthwhile or very unsuccessful depending on how committed you are.

For more information on tattoo art, equipment and after care visit tattooandpiercingsupplies.com tattooandpiercingsupplies.com

Is It Art? Instant Drawing and the Digital Darkroom

Wednesday, March 31st, 2010

Henri Cartier-Bresson is reported to have said after he had given up photography.

“All I care about these days is painting—photography has never been more than a way into painting, a sort of instant drawing.”

No one disagrees that painting is art, albeit the quality may vary but it is always considered art. Why isn’t this the case with photography? It is agreed that there is an art to photography but this means it is a craft but photography of the highest order is referred to as “photographic art”. Likewise images created on or enhanced by a computer are labelled as “digital art” or “computer art”. Whereas painting is just art, be it water colour, oil or acrylic.

In part the problem lies with the artist. The discussion about photography is littered knee deep with technique and coloured with technical jargon. Seldom if ever is the art discussed. I have yet to find a discussion about a painter’s work where the types and sizes of the brushes scores a mention. And quite frankly who really cares? If I was to twiddle the knobs like Ansel Adams would I make an Adam’s photograph? The simple answer is no, I’m not Ansel Adams.

The photographer makes the photograph with their attitudes, opinions, experience and aesthetic. The very same attributes that the painter brings to their work, as does the sculptor, the writer or the composer. Technical ability only makes technically correct work. The most interesting work is that which is out there pushing the boundaries, ignoring the rules and making it up as they go along, finding new forms of expression.

The development of the digital darkroom heralds a new age for photography. Gone are the days of mechanical drawing, now full blown paintings are as accessible as the artist’s ability to imagine them. With attitude, opinion, experience and aesthetic being the guiding principles not the recipes of those who have gone before.

It is a play ground, don’t worry about mistakes it is through them that we learn. As one of the greatest artist’s of the 20th Century, Pablo Picasso, said, “Every child is an artist. The problem is how to remain an artist once he grows up”.

Henry Bateman is a painter gone digital. His work can be seen at pissedpoetpics.com pissedpoet pics

Female Magazines Audience

Wednesday, March 31st, 2010

‘Fireworks and a number thirty-two’ is a magazine column created for amusement of the audience of such magazines as ‘Pink’, ‘Oprah’, and ‘Cosmopolitan’. These magazines attract a female audience, aged between twenty and thirty-five, who take an interest in fashion, beauty and modern lifestyles. In addition, females are commonly known for their fascination with gossip, and magazines such as ‘Company’ provide an abundance of scandal and gossip stories for women to feast on.

Magazines such as those mentioned frequently offer a commonality of experience for their audience problem pages and real-life stories all provide an insight into the life of a ‘conventional’ workingwoman. This is a method I decided to adopt in order for my audience to relate to my character by exploring the commonality of experiences, which provides the audience with a comical reassurance of their everyday lifestyle.

Theories indicate that audiences’ posses the need for reinforcement of self-understanding and indulgence, thus they find comfort in the media and compare their own lives to those portrayed in pieces such as this.

This particular extract relies upon the audiences’ ability to identify the true meaning of the phrase ‘the green mile’, and apply it to the situation in the article. The phrase ‘the green mile’ typically has connotations with jail The effect of employing such techniques is firstly, that the unusual positioning of such a phrase is incongruous within the context, and thus it has a comedic value. Secondly, the mental exercise of successfully decoding and interpreting the phase within the context of the story, results in audience gratification the ‘tongue in cheek’ concept of “look how clever we are”.

In order to create an enjoyable, hopefully humorous read for the audience, I used a mixture of formal, colloquial and taboo language. Lexis and phrases such as ‘ugly mug’, ‘fan-bloody-tastic’ and ‘y’know’ are examples of colloquial and slang vocabulary. The use of words such as these emit a familiar ambience to the reader; the article ‘talks their language’. Lexis such as ‘incidentally’ and ‘ensemble’ provide a balance between a relaxed, ‘chatty’ tone and a formal, professional one. The mixture of colloquial and formal language encourages a personal interaction between the reader and writer and constantly toughens the degree of trust the writer has for the reader; this permits the writer to push the boundaries of the genre to its extremities. The concoction of a variety of tones and subjects establish the reader’s desire to become part of the sub-group that these magazines and articles have created.

I purposely used the conventions of conversational speech in my article to encourage an interaction between my character and the reader. The use of conversation conventions is that the audience can easily understand how my character feels, and it gives the piece a friendly, convivial quality.
Throughout the article I consistently used hyperbole, for example ‘escape from the crime scene for a desperately needed injection of nicotine’. The use of exaggerated language and long sentences accurately convey my character’s lifestyle. The long complex sentences have a fast, rushed pace and this characteristic of my article reflects my character’s emotions and personality.

The use of dramatic, action lexis such as ‘wrestled’, ‘exploded’ and ‘fought’ further emphasise my character’s stressful lifestyle and create suspense as to how her problems will be resolved.

There are a variety of lexical fields used within my feature, some of which include religion, modern technology, celebrity and brands. The use of introducing and mixing religious terminology with celebrity names is unexpected within the context of this article for example:
‘I heard the angel’s chorus commence as I looked towards the end of the road; a bus bearing angel wings and a halo, flew around the corner and descended into my stop.’ This incongruity of using phrases such as those above, give the column its comedic effect; because the word or phrased is used in an unpredicted context it becomes humorous.

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Literary Translation - Translating Freely

Tuesday, March 30th, 2010

Literary translation is the branch of translation that deals with novels, poems, plays, stories, song lyrics etc.
Often regarded as the most free of all translation types, literary translation may also prove to be the most rewarding of these.
The freedom of translating a literary text resides mainly in the possibility to interpret the piece, to use words that are not necessarily the translated counterparts of the original, to manipulate the text in such manner that it observes the style of the author but, most importantly, manages to recreate the atmosphere in a different language.

Reading itself has been defined as‚ translation’, as the process of interpreting the text and adding a personal meaning to it. Considering this, the main task of a literary translator would be to rebuild the text in the target language, to adapt it according to its audience, to transform it while trying to keep its original form and meaning. Thus, a literary translator has the chance to be part of the creating process of a text, acting as a mediator who tries to convey the meaning and also bring the text closer to the reader.

Literary translation requires special skills and a significant language background. Also, in order to tackle this type of translation one needs to be passionate about literature, to have a certain calling and sensitiveness. To underline this, I should mention the fact that some of the most famous literary translators are/were writers themselves: Goethe , Borges, Nabokov, Eco, Durrell, and many more.
Considered by many an‚ art’, literary translation seems to have attracted many talented linguists mainly due to its free approach and its rewarding results. The appreciation people have for literary translation is proven by the countless prizes awarded to literary translators every year.

Probably one of the most spread language-wise types of translation, literary translation contributes to the cultural awareness of people while helping them reach various worlds (real or fantastic) and to discover different mentalities.

Ioana Mihailas is a linguist for Ling⭴ ling⭴.com/contact_us.html Translation Agency London, a leading provider of quality ling⭴.com/ translation services in most world languages.

Conversational Spanish Teaching - Resources for Learning Spanish

Tuesday, March 30th, 2010

Other than getting a personal tutor, the best teaching resource for conversational Spanish is an interactive audio Spanish learning course. Most courses come with a number of learning resources such as flash cards, interactive computer games and vocabulary-building exercises.

Interactive audio learning courses are great conversational Spanish teaching resources. They are available in either hard copy (on CD’s and with printed books) or in digital format which can be downloaded 24/7 from the Internet.

The downloadable form can be bought online, downloaded immediately and can be used at once, a few minutes after purchase.

There are many advantages to these types of conversational Spanish teaching resources. They are highly portable, they can be studied anywhere, you control your own learning speed, learn the accent, rhythm and meter of speaking from excellent native speakers.

In addition, you own the tools, the course. You can review, brush up on your Spanish and refresh your memory at any time.

The first tier of conversational Spanish teaching resourses consists of industry-leading courses generally recognized to be the best. Included in this first tier are Rocket Spanish, Learning Spanish Like Crazy, Fsi Spanish, Pimsleur Spanish and Rosetta Stone Spanish. The first three of these are mostly conversational Spanish.

Pimsleur and Rosetta Stone have conversational Spanish aspects but are more oriented toward teaching the grammar and vocabulary of formal Spanish.

Almost all have a downloadable version in the $100 to $200 price range and a hard copy version in the $250 to $550 price range.

The second tier of conversational Spanish teaching resourses are aimed at teaching basic conversational Spanish as fast as possible. Examples include Synergy Spanish and Surefire Spanish, both good courses that are downloadable for under $40, and Learn How to Speak Spanish and Spanish Language Speed Learning Course, both available for under $20.

First tier learning programs should give you vocabulary and conversational abilities of 6th to 9th grade students in Spanish. Second tier will give you basic conversational abilities and advanced travelers’ Spanish.

Whichever route you choose or whichever conversational Spanish teaching resourse you select, the important thing is to get started. With 41 million Hispanics in the U.S., 17 million of whom either don’t speak English very well or don’t speak it a all, Spanish is the second language of preference to learn.

You can always get a low cost fast-learner course to start, finish that and then see if you want to go on to one of the larger, more complete courses.

For the best Spanish-learning course available at a great price, visit: netincom𘬃.com/go/to.pl?l=rsJul2Ar⵴&u=R̀ Learn Good Spanish Now To learn more about available resources to learn Spanish, visit:

7 Useful Tips When Trying To Learn Spanish Online

Tuesday, March 30th, 2010

You know, Spanish is a remarkable language full of passion.. When trying to learn Spanish you should be passionate and motivated to succeed!

Tip #1: Lack of time is not an excuse..
There’s a popular excuse for those who don’t to learn Spanish, but they wish the could speak Spanish. They say they haven’t got enough time to learn and study and exercise.. Well it’s only an excuse.. You don’t have to always sit down and spend hours learning Spanish and doing exercises.. There are thousands of online lessons offering audio material. While you wait for the bus or while you’re on the gym you could turn on your mp3 player or cd player and start listening to your favorite audio course.. It’s that simple!

When you watch tv turn on to a Spanish channel for a change, and try to figure out the meaning of the words and phrases you here.. Go get a Spanish magazine or even visit a Spanish website etc..

So don’t make excuses.. You can still learn Spanish online even if you got no time at all.. If you really want to learn Spanish of course..

Moving on to tip #2: Learn the basics..

You know that right? A lot of people start learning thousands of Spanish words of phrases to become Spanish vocabulary masters.. but guess what.. They only use a small percentage of that vocabulary when they speak Spanish with someone.. I think it’s more importand to learn the basic words or phrases and their grammar and pronounciation and master those.. And then if you want you can move on and learn the rest of the thousands of Spanish words..

There are a lot of so called Spanish teachers that will try to teach you old- fashioned Spanish, grammar rules that you will never have to use while you speak Spanish.. It will do you no good.. You have to learn modern Spanish.. Learn the basic words and phrases, master their pronounciation and writing rules and then and only then move on to expand your vocabulary..

Tip #3: Leave the Spanish Language alone..!

Yeap.. And what I mean is that you shouldn′t worry about why is Spanish language and Spanish words written or formated or pronounced the way they are.. Leave that alone..That’s how it is.. You can′t question the origins of the language or the definition of the words.. Well you can,but it will not help you when trying to learn Spanish.. So don′t ask yourself or your teachers or your Spanish lover why is that word pronounced like that or written like that.. or what is the definition of that particular word or phrase etc..

Concentrate on learning the language the way it is.. Don′t waste your time questioning the language itself!

Tip #4: It’s all about motivation of course!
Ok when you start learning Spanish online you are motivated and enthusiastic. But what happens a few weeks later?

JAG DVD on TvDvdPlanet

Tuesday, March 30th, 2010

The television show JAG short for Judge Advocate General is a combination of drama and adventure genre. It was originally launched on ABC in 1995 after being cancelled on the year 1996 due to a network changed; it was picked up by CBS and aired it until April 2005 for nine seasons. J.A.G. was produced by Belisarius Productions in association with Paramount Network Television. After a series of episodes, the Department of Defense have seen and realized the positive values of the show, thus, they grant JAG an official support to access the military equipments. So far, in the history, it is the only television show that has been officially endorsed by the US Navy and US Marine Corps.

The show depicts real life military actions like the Bosnian War, the attack on the USS Cole, the attacks of the terrorist on September 11, 2001 and the War on Terrorism. The show had top its ratings and got featured on the top of Nielsen’s award. The cast of the show are as follows, David James Elliott as Lt./Lt. Cmdr./Cmdr./Capt. Harmon ‘Harm’ Rabb Jr., Catherine Bell as Maj./Lt. Col. Sarah ‘Mac’ MacKenzie, John M. Jackson as Adm. Albert Jethro ‘A.J.’ Chegwidden (1996-2004), Tracey Needham as Lt. j.g. Meg Austin Patrick Labyorteaux as Lt. j.g./Lt./Lt. Cmdr. Bud Roberts, Jr., Karri Turner as Ens./Lt. j.g./Lt. Harriet Sims, Chuck Carrington as P.O. Jason Tiner, Trevor Goddard as Lt. Cmdr. Mic Brumby and Scott Lawrence as Cmdr. Sturgis Turner.JAG revolves on JAG-Officers who were under heavy training applying the laws of UCMJ and International Laws. Commander Harmon Rabb Jr. and Lieutenant Colonel Sarah MacKenzie solve cases and problems of different types. And as always, they were the unstoppable and unbeatable team.

Donna Dyan Dayrit is a member of Search Engine Optimization (SEO) Specialists for TvDvdPlanet tvdvdplanet.com www.tvdvdplanet.com

Rest In Peace

Monday, March 29th, 2010

Rest In Peace My Child
In Heaven Is Where Your New LIfe Begins.
Peace Child I’ll See You Again One Day.
Changes Have Come And How Much I Miss You ,
Is Hard To Say.
Rest In Peace My Child
In Your Death I Thought My Life

Would End.
Still You Stayed In My Heart,
And Helped My New Life Begin.
Since You Have Been Gone .
New Things Have Happened,
People came and people have gone .
There Has Been Good And There Has Been Bad .
But the Best Thing Of All Was You . We Miss You Much.

We Miss You alot.
In Heaven Were You Are Is Beautiful So I heard,
But You Make THings Brighter Were Ever You Are.
Weather It Is here Or Weather You Are There The DAy Is Brighter.
When It Rains I Know It Is Your way Of Saying you are sad.
Cheer Up My Love It Will Soon Be That You Are Going To Be With US
I Can′t Wait Until it Comes To Were We Are All As One.
When We Meet Again It Will Be the time to See The Ones We
Loves.
There Was So Much So Much For US.
But Please Child Rest In Peace.

In The Spin Of A Wheel - A Beginner’s Guide To Roulette

Monday, March 29th, 2010

When you think about Roulette, you might think of James Bond placing bets according to decisions of a beautiful woman who’s ‘lucky’. But can it really be that random? And is it as easy to play online as it is in casino in Monte Carlo?

The word Roulette means ‘small wheel’ in French. The outcome of each round of Roulette is indeed decided by the ball landing in one of 38 holes (American version), which are positioned around the edge of this wheel. These holes are numbered 1 to 36, with a 0 at one end and a 00 at the other. The basic betting consists of placing any number of chips against one of these numbers. If it lands on your number, you win 35 chips for every chip you have bet (called 35:1 payout).

Chances Are…
It is important to note that there is the same 1-in-38 chance at each spin of the wheel – the chances of the ball landing in a given hole are not increased by it not having landed there all evening. That is known as the ‘gambler’s fallacy’ and is a common though understandable error that people make when playing games of chance, such as dice games. ‘I haven’t had a six for twenty rolls so there must be one coming up…’ Wrong: the dice doesn’t ‘know’ what happened over the last twenty rolls – so it can’t affect what happens this roll. Same with the Roulette wheel.

Placing Bets in Roulette
It follows that placing your bets is not an exercise in anticipating what may come up. The spread of your bets across the table is like a net, sitting there waiting to capture one of the numbers when it comes up. It would therefore be a perfectly respectable strategy to leave your bets on the same numbers for every spin of the wheel, and wait to see how often those numbers come up. For this reason, many experienced players have their own sets of ‘lucky’ or preferred numbers, which they largely stick to with some variation.

If the betting simply consisted of individual numbers, it would be that simple. But there are also various other outcomes you can bet on, which are more probable than a single number coming up – but carry correspondingly lower winnings.

The simplest options carry a better chance and therefore 1:1 payout – meaning you get one chip back for each one bet. These are to bet on one of the two colors the numbers are divided into, which are red or black; to bet on an odd or even number coming up; or to bet on a number in either the upper or lower half (1-18 or 19-36). Below the grid of numbers on the Roulette table, there are areas of the table that represent these options.

Above these sections, there are areas where you can bet on the lower, middle or upper third of the number range coming up. Because there are 36 numbers in total, these are called the first twelve (1-12), second twelve (13-24) and third twelve (25-36). These areas of the board carry 2:1 payouts, meaning you get two chips back for every one you bet. It is also possible to achieve 2:1 payouts by betting one of the three columns in which the numbers are organized on the table. You do this by placing your bet in a space at the end of the row you have chosen.

That, unfortunately, is the end of the simple part. From now on, it gets more complicated.

The remaining ways of betting are by selecting combinations of numbers. You divide the single-number payout by the number of numbers in your combination. If you recall the payouts for one number are 35:1, then the payouts for a two-number combination will be 17:1, for three numbers 11:1, for four numbers 8:1, or 6:1 for five numbers.

Due to the configuration of the roulette table, you cannot bet on any combination of numbers. They have to be adjacent for a two number bet, in which case your chips are placed straddling the two numbers; in a row across the table for a three number bet, in which case your chips are placed at the end of the row; in a square for a four number bet, in which case your chips are placed in the centre of the square. A five number bet has to involve either the 0 or the 00. It is a bet than 00, 0, 1, 2 or 3 will come up and is wagered by placing your chips at the end of the line dividing 0 and 00 from the squares marked 1, 2 and 3.

Online Roulette
That’s it! Online roulette follows the same rules except you control your bets with a mouse and there is a virtual wheel that generates a number randomly. Why not try your hand? There are a hundreds of online casinos these days, so your only problem might be which one to choose. The link at the beginning provides a directory of the best ones. Good luck!

casinocashjourney.com/ Casino Cash Journey is the ultimate online casino directory. Giving you all the information you need to choose the right online casino for you, it is a great resource for online roulette, as well as a host of other exciting games, detailing information on the rules, terminology and patterns as well as a host of sites where you can casinocashjourney.com/free_american_roulette.htm play roulette online.