Archive for November, 2009

Easy Drawings - The Real Secret To Start Drawing

Monday, November 30th, 2009

One of the biggest hurdles a new artist faces is fear of failure.

This is your mind overriding your sense of adventure! Who would you be failing? If you don’t want anyone to see your drawings, don’t show them.

If you have the desire to draw, if you really want to draw, you can! It is the same as learning to print, then learning to write. At school, it should have progressed on to learning to draw. It’s the same process. Printing and writing are unique to you. None of us print and write exactly the same way. This goes for drawing too. Each artist has their own style.

Where Should You Focus Your Initial Effort?

Think simple. Look to copy drawings with very simple lines and lots of white space. These are called line drawings or contour drawings.

Definitely try different subjects to draw. You may discover you have a special flair in one area. You see artists everywhere specializing in cats, dogs, portraits and so on. Or, you can start with a subject you love. It’s up to you.

I try to draw anything, so long as it looks simple enough for me to accomplish my task. Anything that has proven too difficult - like portrait drawing - has been placed on the back burner. I can’t wait to be able to draw portraits but I know I’m not ready yet. I keep trying and I keep learning. I want to draw portraits so badly that no amount of disastrous drawings is going to stop me. You will know when you are ready to try something more complicated.

What are 3 Easy Things You Can Do To See Results In Drawings?

Start with graphite pencils - You might be thinking that using colors would be more fun but they are too distracting. You wouldn’t focus on the actual drawing, you would be wondering what color to use. Learn how to draw in pencil first, then you can move on to different mediums. This is only a suggestion of course, I’ve read about artist’s who declare they couldn’t draw and they started off with oils. Everyone is different. Go with your heart. Whatever you do, don’t give up.
Copy line drawings - You can keep doing the same one until you are happy with the drawing or you can skip from one drawing to the next. It doesn’t matter, it is all practice. You won’t notice it, but you’ll be improving each time.
Don’t criticize yourself or your drawings - You’ll spoil your own fun!

It’s fine to copy other people’s work while you are learning to draw, but don′t claim it as your own. All art is copied but it is recommended to copy from real life or your own photos. This will save you any copyright worries.

Learn to draw by copying easy drawings, and you learn to see life through new eyes. Discover a new world! It’s just there, waiting for you!

Author Kerry Godsall is the webmaster at allaboutdrawings.com” target=”_new allaboutdrawings.com where you′ll find lots of easy drawings to copy.
Join the free newsletter at allaboutdrawings.com/sketchy-news.html” target=”_new allaboutdrawings.com/sketchy-news.html to get more drawing tips and techniques.

Chuck Loeb “All There Is” Smooth Jazz Music CD Review

Monday, November 30th, 2009

The super talented Smooth Jazz artist Chuck Loeb has released his most recent CD on the Shanachie Records recording label, entitled All There Is.

This CD will grab your attention right from the very beginning with As Is and doesn’t let go until the very last note of the very last song Love Is All There Is, which by the way is another great track.

All There Is has a pleasantly varied, mix of 10 tracks that are very well written songs by this clearly outstanding artist. At different points touching on the most real emotions of love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

The nice thing about a CD like this is when the talent is this rich even if Smooth Jazz isn’t your favorite genre you still can’t help but appreciate the greatness of the artist.

Listen and I think you’ll agree that the song choices are excellent and this another outstanding production from Chuck Loeb.

While this entire album is outstanding some of my favorites are track 2, Sierra Nevada, track 3, True Or False, track 10, Love Is All There Is

My SmoothLee Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 6, Fundamentally Sound. Good stuff!

All There Is Release Notes:

Chuck Loeb originally released All There Is on May 21, 2002 on the Shanachie Records record label.

CD Track List Follows:

1. As Is
2. Sierra Nevada
3. True Or False
4. Golden Heart
5. Sarao
6. Fundamentally Sound
7. In The Hands
8. Tenerife Blue
9. Bread &amp Butter
10. Love Is All There Is

Personnel: Chuck Loeb (guitar, keyboards); Carmen Cuesta (vocals); Kirk Whalum, Andy Snitzer (tenor saxophone); David Mann (saxophone, flute, keyboards, programming); Barry Danielian (trumpet, flugelhorn); Mike Ricchiuti (keyboards); Mike Pope (acoustic bass); Will Lee (bass); Ron Jenkins (electric bass); Brian Dunne (drums); David Charles (percussion). Producers include: Chuck Loeb, Carmen Cuesta Loeb, Mike Ricchiuti, Brian Dunne, Ron Jenkins. Principally recorded at Bear Tracks, Suffern, New York; Automotive, Irvington, New York.

Get the information you want on your favorite smooth jazz songs and artists at ilovesmoothjazz.com iLoveSmoothJazz.com

Clyde Lee Dennis, a.k.a. smoothlee.com SmoothLee is a life long music fanatic, smooth jazz in particular, and does a daily online radio show featuring smooth jazz music that can be heard at newyorksmoothjazzradio.com NewYorkSmoothJazzRadio.com

Choosing A Musical Instrument

Monday, November 30th, 2009

Well you realize you want to play an instrument but you can’t decide which one? First of all, don’t rule out playing several kinds once you learn your first one. But you have to start somewhere, and finding the one you′ll learn on initially is very important. You′ll want to find the instrument you′re most comfortable with.

My first instrument I ever owned was a recorder. I was very young and didn’t have a clue what to do with it. It ended up in a sock drawer and may still be there as far as I know. Next, I got a set of drums. I banged on them and yelled a bit but never got to the point where I was serious about musical instruments percussion.

In grammar school I bought my first guitar from a nun. Between the discomfort of growing callouses (I never did) and the challenge of my small hands learning to hold down chords, I didn’t soon became a guitarist, either. I lacked the determination to get past the pain to learn the musical instrument guitar. That’s a common theme I hear from wannabe guitarists who never make it. In high school, a friend suggested I should play bass. Being a laidback guy, bass seemed to fit me well. I hemmed and hawed about why I couldn’t do it, but something made me buy one. I′ve been playing bass ever since, for over 20 years now. And in the past year I got another acoustic guitar and use it for writing. Eventually I′ll learn those chords, too.

My buddy Dominic was a great swimmer when he was younger. We joked that he could hold his
breath under water as long as a walrus. That lung strength and a strong desire have helped him become the great saxophone player he is today. Dominic went on to learn guitar, piano and flute, too.

My brother Michael started piano lessons young and stuck with it. His long fingers took to the keys easily and his determination guided him to succeed. He eventually became quite a gifted pianist and has bought a guitar to learn it, too. The piano was perfect for him and a great stress reliever while he was growing up. And it gave him the knowledge and confidence to want to learn the gutar as well.

If you’re buying an instrument as a gift for a child, then think about their personality. Are they wild and hyperactive and need to bang drums to release their energy? Are they thoughtful and elegant and would take well to flute or piano? Or are they quiet and reserved and a guitar might help them become more gregarious. Whatever instrument they play, the confidence and satisfaction that come from playing music will enlighten them immeasurably.

So whether it’s chewurmusic.com musical instrument guitar, drums, bass, violin, accordion or what, finding the right instrument for you can give you years of satisfaction, stress relief, and a feeling of accomplishment. Good luck in your pursuit!

Vincent Hely is the creator and owner of chewurmusic.com, a site where you can find chewurmusic.com musical guitars, basses, violins, chewurmusic.com chewurmusic.com”>musical instrument accordions and much more at bargain prices.

Mountains: Because They Are There - II

Monday, November 30th, 2009

Mountains may be the waving of the earth’s crust to the rest of the heavens as if to say hello. Just like the waves, mountains can fold, fault, and become residual, and like Tsunamis, for miles and miles around, volcanoes blow up and drown everything in sight inside their ashes.

The majesty of the mountains has inspired myths to be created around them; Mount Meru in the center of the Himalayas was thought to be the axis of the universe as Mount Olympus was where Zeus resided. Hindus and Buddhists believed in the divinity of the mountains and assigned each one to be a home to a god.

As well as serving as residences to gods and being the sites of sacred revelations, mountains are also regarded as portals to the underworld. In Icelandic folklore, the Christian priests who took on the role of mythic heroes were able to open these portals. Mountains are also thought of being inhabited by supernatural beings, some of them demons, who send climbers to their deaths. Even today, some consider Mount Hood as the operating center of an alien race and Mount Shasta to be the home of an old race that dwelled in Atlantis. This may be because a mountain seems to have a personality.

A mountain can be fickle a mountain has moods. One never knows when a temper tantrum will strike. A seemingly safe rock with holds, nicks and crannies for the mountaineering gear suddenly will turn slippery with ice the overhangs on ridges will abruptly break apart sending down stones over once passable routes a gray mysterious fog will stick to breathing passages hail and lightning will batter the eyes, faces of everyone and anything else in sight; the word avalanche will make the climber tremble with fear, for it will maroon people and villages for days at an end.

“What has roots as nobody sees, is taller than trees, and up, up it goes; yet, never grows?”

The answer to this riddle is a mountain. Yet, mountains do grow and move around with the help of earthquakes as plate tectonics dictate.

My farthest memories of mountains are of the Alps, though at first–not of snow and solitude–but of patchwork of fields surrounding quiet villages, small churches, simple doll houses shouldering steep roofs, freshly mowed hay draped in piles over cylindrical racks to dry and me, as a child, feeling like Heidi among the goats; then, also, the earth rising to the sun with a dynamic authority; steep, craggy, brown, black, and purple heights breaking the ground with touches of green toward the peaks; and pine forests at the skirts of the mountains.

Only later on, I finally witnessed the white caps, snowy shoulders, and white wondrous splendor of solitude during our early spring and late winter visits. Alps do not span a large area. They could fit inside two East Coast US states such as Virginia and Maryland, but as far as mountains go, Alps are rebellious, frozen, wild youngsters who haven’t lost their sharp edges. They are also the spoiled brats of history with riches of legend, romance, and majesty.

In a strange way, to live and work among the mountains offers a linkage to nature. If one has debts to be paid and a mortgage to be settled, mountains are around for comfort, encouraging the occupants on them to enjoy a hearth and home decorated with Alpine rose, edelweiss, gentian, and anything else that may grow at the foothills or inside the snow. A mountain dweller wakes up in the morning and lifts his eyes and soul to the primeval majesty of high peaks, to watch the plethora of green fir and to go after the timber to be gathered.

Wood is put to good use among the mountain people. Tools and utensils, carriages, carts, blades and axle for waterwheels, homes, sheds, weaving gear, cuckoo clocks, are usually made of wood.

The seasons on mountains do not depend on the time of the year as much as they do on the altitude. The higher one climbs the colder and the lonelier it gets. Soon, the tree line vanishes and rock, ice, and snow are left for the majestic mountains to hold their windy heads inside the clouds.

While most any place is losing its battle to an uncivilized civilization, inside and around Alpine forests, there are nature preserves where the flora and fauna remain undisturbed.

Each spring, people hike on or around the mountain valleys. They observe the treasury of insect and plant life and the roots of birch trees grab a boulder, listen to the warblers’ and finches’ songs mix in with the hoarse croak of the vultures, and once in a while, step aside to make way for a red deer and its fawn on a green meadow.

These delicate discoveries and the mountain’s dignity in solitude can provide a deep sense of content for anyone who sets his eyes on any mountain.

Joy Cagil is an author on Writing.Com/ Writing.Com/ which is a site for Writing.Com/ Writers. Her education is in foreign languages and linguistics. Her portfolio can be found at Writing.Com/authors/joycag Writing.Com/authors/joycag

The Road to Haiku

Sunday, November 29th, 2009

“Haiku shows us what we knew all the time, but did not know we knew; it shows us that we are poets in so far as we live at all.”
~R.H. Blyth Haiku, Volume 1

“A real haiku’s gotta be as simple as porridge and yet make you see the real thing.”
~ Japhy Ryder in The Dharma Bums (1958) by Jack Kerouac

Haiku is everywhere, or so some like to think. Just do a Google search for haiku and over 12 million results are returned in .04 seconds. Those results vary from in-depth articles on haiku history and the development of haiku from the original Japanese renga (linked verse) to information on Japanese haiku masters such as Basho and English contributors such as R.H. Blyth. Along with those, you have countless links to internet blogs, websites and web pages that have haiku, or what is really considered senryu by those who have studied haiku, on them. I even found a random haiku generator. Needless to say, the information is so abundant it’s difficult to know where to begin or what to believe.

I’m not a scholar, but I have done a bit of research about haiku and senryu. Japanese culture has fascinated me since I was in my early twenties and began studying Aikido, a Japanese martial art. I also had a Japanese roommate who taught me a few things about the culture that further interested me, and while I’m not a fan of sushi, I do love some other Japanese foods. Interestingly enough, R.H. Blyth became fascinated with Japanese culture as well, and thus eventually found his way to haiku and was instrumental in bringing haiku to English.

R.H. Blyth authored Haiku (1949-1952) and History of Haiku (1964) which are some of the most read books on the subject by contemporary writers of haiku. Blyth never expected that his books would be as influential as they were in inspiring poets to attempt to write haiku in something other than Japanese. But inspire they did and in 1958, two other books on haiku were published that sparked modern haiku in America, Jack Kerouac’s The Dharma Bums and Harold G. Henderson’s An Introduction to Haiku: An Anthology of Poems and Poets from Bashô to Shiki.

How do we define modern haiku (and where does senryu come in)? Well, that’s a tough question to answer, as you will often find many conflicting definitions. Most people can tell you that haiku is a short Japanese poem. Some will add that it is written in three lines. Others will argue that it is written in no more than three lines, but can be written in less. The typical haiku is seen in three lines, but it can be in less, never more. Then you come to syllable counts. Some adhere to a strict seventeen syllables, in a 5-7-5 pattern. Others will simply offer a guideline of: no more than eighteen syllables total for the entire poem. Haiku can be less than seventeen syllables, but certainly never longer than eighteen. In haiku, less, is typically, more.

This is the basic form of a haiku (and a senryu), but this alone does not make a poem a haiku. A haiku has other elements that most haijin will tell you, must be present before it is a haiku.

A kigo, or seasonal word is a must for a haiku (without it you venture into senryu territory)
A pause word or caesura (punctuation mark) that is usually, though not always at the end of a line, that indicate a comparison, contrast, uncertainty or question (different from a senryu that involves irony or satirical humor)
Haiku are almost always in present or present perfect tense
Simple, direct language using minimal words
Avoid using personal or possessive pronouns in haiku (again, these are more for senryu) as haiku describes an experience, it does not tell how you feel about the experience

Again, different sources will agree and disagree on these points about haiku (and senryu). For experienced haijin, writing haiku is a way of life, not just an art form or a way to express themselves or pass the time. I have read that to write haiku, first you must have an experience, and then you must, as soon as possible, write about that experience. It must flow naturally from you or it will not make a well written haiku. The senryu is for all of the comedy writers out there and examines the more personal and humorous side of life. I hope this has shed a bit of light on two of the beautiful Japanese forms of poetry.

Terry J. Coyier is a 37-year-old college student studying for an Associates of Applied Sciences degree. She is also a freelance writer who writes a variety of topics She lives with her son in the Dallas/Ft. Worth Metroplex. Terry is an author on Writing.Com/ Writing.Com/ which is a site for Writing.Com/ Writers and her personal portfolio can be viewed terryjroo.writing.com here.

How Astrology States Compatibility For Love and Marriage?

Sunday, November 29th, 2009

Astrology happens to be of extreme significance so far as human compatibility is concerned. This unique stream of knowledge gives an incredible insight into the various traits of a human personality. By acquainting yourself with these traits, you can ascertain the compatibility levels of a couple with success.

In fact these compatibility insights imparted by astrologer happens to be of crucial importance in making decision about your soul mate. If your astrological compatibility with your girl friend is not that good according to astrology reading, you are not likely to marry your girl friend and even if you marry your marriage may end soon.

That’s why before tying the knot people long to know the feasibility of that relationship with the expected spouse. A compatibility insight could either be in conformity with your decision or it may suggest you to give a second thought to your decision.

Birth chart and your stars reveal a great deal about you and your love or marriage compatibility could be adjudged by analyzing your moon sign and position of Mars and Venus. Birth chart depicts the planet that casts a dominating influence over you. You imbibe most of your traits from that dominating planet. Similarly the person with whom you are checking your compatibility is analyzed on these counts. If traits are in conformity with each other and you and the other person under consideration share certain equation of Mars and Venus, you both could be compatible with each other.

Broadly speaking, your astrology sun sign greatly tells your compatibility with the people of other sign. If you are borne with a fire sign like Aries, you have very little chances of sharing a good relation with people of water sign. A general compatibility of sun sign happens to be a very general way of checking your compatibility. However an in depth analysis of birth chart and planets would tell about compatibility with utmost certainty.

Vedic Astrology that is prevalent in far eastern country India, lays great emphasis on astrological compatibility for marriage. Marriage happens to be on the card only when birth chart of bride and groom shows certain similarities or certain equations and this is considered as a sure indicator of higher level of compatibility.

Before marriage you can also go on checking your compatibility with your would-be soul mate with the help of an expert astrologer.

To get more information on astrology,

Ants as Brains: Emergence

Sunday, November 29th, 2009

Introduction

Questions concerning the nature of thought characterise the history of our development as human beings. In his ‘Meditations on First Philosophy (1641), Rene Descartes divided body and mind. Following 300 years of intellectual development during the Age of Enlightenment the notion of a thinking machine was posited by Turing´s simple question: “Can machines think?” Modern cognitive theory has examined many models of mind, predominantly based around the idea of computing machines.

In this essay I shall argue that an ant nest contains all of the necessary and sufficient criteria to be considered a model of mind. I shall begin by summarising modern approaches to the idea of thought and intentionality, looking at some of the earlier psychological developments and showing how these grew into the predominantly symbol-processing hegemony of the mid to late 20th Century. I shall then touch briefly on the reassessment of the Standard Social Science Model (Toobey & Cosmides, 1992) and show how Evolutionary Psychology proposed an alternative approach.

Having laid a base for understanding ideas related to thought and intentionality, I shall look at the predominant and diametrically opposed theories concerning models of the mind and examine them in the light of two constraints, the first being that any model of the mind should be compatible with the evolutionary evidence concerning adaptability, and the second that such a model should take into account the flexibility and universal nature of behaviour. Following Wells (1996) I will propose a simple adaptationist model that fulfils both criteria.

The third section of the essay will argue that the adaptationist model has much in common not only with standard machine or computer architecture but also with the humble ants nest, and draw comparisons between neurons and ants. I will draw briefly on the notions of Emergence Theory and Ant Algorithms to illustrate my points, and argue that the ant nest is an adequate model of mind, fulfilling all constraints as noted previously. Finally, I will summarise the discussion.

Understanding Thought

In order for us to understand thought, I have chosen to look at it from the perspective of problem solving and learning. For a long time it was thought that learning was one of the things that differentiated humans from the rest of the animal kingdom. In 1911, Edward Thorndike published work showing that there was more to it than that. Experiments on cats and other animals showed that given a simple task to perform in order to receive food, animals tested over a number of trials began reducing the time necessary to perform the task. This reduction came about through what he called ‘trial and error, and accidental success’ – a phase most often reduced to ‘trial and error’.

Thorndike noted that through satisfying certain requirements, animals were able to learn – particularly when they practiced the action many times, a finding characterised as the ‘learning curve’. Work by Pavlov and the Behaviourists Watson & Skinner developed these ideas and led to an understanding that learning occurs not when the stimulus and reward appear together, but when there is some discrepancy between an expected coincidence and what actually happens. If the mind makes a ‘prediction error’ – expecting a reward after a stimulus and not getting it, or vice versa – then the mind must change its expectations : it must learn. Subsequent work has found that this pattern of learning related to conditioning and surprise is ubiquitous in nature.

It was once a very commonly held belief that the mind was nothing more than an empty slate written on by repeated patterns of reward and punishment. As Thomas Aquinas commented, there is “nothing in the intellect which was not previously in the senses.” A model of mind would thus be nothing more than a set of learned rules – in situation x, do action y. However, in examining this idea, Harlow (1958) showed that baby monkeys did in fact have fairly well developed instincts. Given a choice between a wire-frame surrogate mother – which provided food – and a cloth mother which did not, Behaviourist theory predicts that the monkey would go directly for that which provided food. Instead, as the images show, the monkeys clearly preferred the cloth mother and used the wire mother only to feed.

Later work by Mineka et al (1986: cited in Ridley, 2003) at the University of Wisconsin investigated the instinctual fear of snakes in lab-reared and wild-reared Rhesus monkeys. Reared in the lab, the animals had no prior exposure to snakes. The psychologists showed the monkeys a videotape of wild-reared monkeys reacting with horror to snakes. Within 24 minutes, the lab monkeys acquired a fear of snakes. The psychologists then edited fake flowers, a toy snake, a toy rabbit, and a toy crocodile into the video. Tests later showed that after 40 to 60 seconds of exposure to each object, the monkeys feared only the toy snakes and crocodiles.

Through these and many other studies it seems that we can see the mind as a combination of learned and instinctual behaviours : how, though, does the mind work? In 1949, Donald Hebb suggested that :

“When an axon of cell A is near enough to excite cell B and repeatedly or persistently takes part in firing it, some growth process or metabolic change place in one or both cells such that A’s efficiency as one of the cells firing B, is increased.”

Together with the notion of back propagation, proposed in the late 1950s by Frank Rosenblatt and comprising the notion that simple weightings and error procedures can induce learning, a view to the mind as a connected architecture of ‘perceptrons’ – intended to mirror neurons in a simple way – was introduced and came to be known as Connectionism. By manipulating symbols according to simple rules, these networks mimicked real-world states and could provide convincing evidence that a computer could behave like a brain.

The problem with connectionism is that, as the contemporary thinker Steven Pinker commented, it is rather like a ‘stone soup’ – the more vegetables one adds, the better it tastes. While true that the brain is open to learning, the more one adds some level of semantic content, the more the syntax seems to make sense. This problem – that of meaning, or understanding, has dogged all attempts to build models of the mind. Alan Turing’s famous ‘Turing Test’ (1950) suggested that a solution to the problem of whether a machine can think could be answered by whether said machine were able to convince an interrogator that it were human solely through its answers to questions. This test has stood the test of time.

As we ended the 20th Century, then, models of mind had been built on a range of foundations and theories, of which some were touched on above. Models were built on the idea of the general purpose computer, or von Neumann machine – a set of tasks and a set of data related to these tasks. Predominantly, models used symbols to represent meaning or semantics. In their 1992 paper, “The Psychological Foundations of Culture”, John Tooby and Leda Cosmides argued that the idea of mind as a number of content independent or domain general mechanisms which had no connection with evolutionary or psychological foundation was radically defective. They called this set of theories the Standard Social Science Model, and established the basic principals of what would thenceforward be known as Evolutionary Psychology.

Models of the Mind

The notion of programmability is fundamental to modern computing. A program is a series of instructions that is stored in memory and executed by the processor – it specifies the functional relationship between the input a machine received and the output it produces. The ability to program the machine is equivalent to an ability to change this relationship – a point worth noting, since it highlights the huge range of useless purposes to which a general purpose machine can be put. A second general point is that complex computing operations can be performed by constructing complex internal models of the environment – the program rarely interacts directly with the environment but rather through some interpretive layer.

In looking at and understanding the role of computers with respect to models of the mind, there is one other aspect that is critical to our understanding – the architecture of processors and the relationship between processors and programs. A processor is a special-purpose device designed to carry out a specific set of instructions – these can be simple procedures such as addition and subtraction but can also contain the logical engines that make computers the powerful machines they are. These processors interact indirectly with the external environment through coded input and output. On the other hand, programs are most often sets of operations that are composed as sequences of basic instructions. They encode representations of the external world, and are executed by a central processor.

If we are to build a functioning model of the mind, we have two clear constraints. Firstly, the mind is a product of biological evolution. This constraint stands in direct opposition to any dualism between body and mind without introducing the problems of solipsism. The second constraint is that the mind is capable of immense behavioural flexibility, including apparently indefinitely complex information processing. Wells (1996) refers to these two constraints as the evolutionary constraint and the universality constraint, and notes that the difficulty of combining them both in a theory of cognitive architecture is difficult because they appear to be mutually incompatible :

“The evolutionary constraint leads in the direction of special-purpose mechanisms, and thus, in the direction of task-specific behaviour rather than universality; whereas the universality constraint leads in the direction of general-purpose mechanisms, and thus, in the direction of maximal behavioural flexibility but away from the space of designs that seem plausible given the evolutionary constraint.”

If human cognitive architecture is the result of evolution, then as Tooby &amp Cosmides (1992) note, any given theory must be capable of explaining how we have solved the myriad problems that presented themselves over the evolutionary timeframe. In their paper, cited above, the pair provide a substantial list of problems that evolving man solved – including such things as capturing animals, mating, and cooperating. Typically, the argument given for how evolution has solved these problems is through the selection of increasingly specialized mechanisms – for example, the human eye.

The key issue here is that while such specialized mechanisms are extremely effective at solving specialized problems, they do so only by forfeiting an ability to address a more general class of problems – that is, they fulfil the evolutionary constraint, but not the universality constraint. Another problem is how adaptations may combine – for example, in an action or behaviour that combines both vision and movement.

Newell & Simon (1976) claimed that ‘Symbols lie at the root of all intelligent action’, going on to claim that ‘A physical-symbol system has the necessary and sufficient means for general intelligent action’. This base, supported by the commonly held notion that human mental representations or symbols are of the same kind as the representations used by computers, was extended to refer to all kinds of universal computational system – and thus, by definition, symbol systems can be said to fulfil the universality constraint.

Being universal machines, it is also the case that symbol systems are programmable – symbol structures are programs and representations of objects and events in the external environment. This view of input and output relationship modifiers leads to the inherently attractive view of mental representations as structures in some kind of human ‘machine language’. However, herein lies a significant issue. A representation is always a representation for someone – a danger which leads to an infinite regress. Searle (1980) saw this as a critical problem for Artificial Intelligence. In his famous Chinese Room argument, Searle suggested that for there to be any intentionality in a symbol system, at some level there had to be an entity capable of understanding the symbols – otherwise, they would have no meaning.

We have seen that the symbol systems approach satisfies the universality constraint. It remains unclear whether there is any level of compatibility with the evolutionary constraint. The concern here is driven by the efficiency of a generalized mechanism vs. a specific mechanism in solving a specific problem, combined with what we know of the pressures driving evolution. Put bluntly, an organism equipped with a mechanism that avoids snakes will, over time, be more likely to survive than one whose generalized mechanism will require proof of the snake’s danger before running away.

Additionally, Wells (1996) cites Conrad’s 1985 work into biological computation, which formalised study into computational systems along lines of programmability, efficiency and adaptability. The key message is as follows : unlike the human brain, small changes in the structure of a program can lead to massive changes in behaviour or even lack of function. Whereas the brain is gradually transformable, that is to say it only changes behaviour a small amount given small structural change – up to an including the destruction of large parts of it – this tends not to be the case in program-based systems. What is more, there is a concern in the relationship between the system and its inputs, in that a system operating without a program has no intermediary between it and the outside world – a programmable system needs such inputs to be coded into a form that the processor can deal with.

It is clear that neither a symbol-processing nor a strictly evolutionary approach satisfies the constraints proposed. This is not to say, however, that there are not aspects of both that seem essentially correct : the idea of an aggregate of adaptations working in parallel is not inherently flawed, but is hard to make universal. If, instead of a programmable symbolic memory and a processor rather like a computer, we assume the brain to be like a processor, we may be able to take a step forward :

“… one should think of the set of adaptations that evolutionary psychologists consider to be the basis of cognitive architecture as the instruction set of a processor designed by evolution … The evolved processor is, among other things, a symbol processor par excellence, but the symbol structures it possesses are external …” (Wells, op. cit.)

By combining the evolved part of the brain, a collection of specific mechanisms, with a processor possessing the power to carry out symbolic instructions such as reading a map or cooking from a recipe, we have a view to a cognitive architecture that encompasses external symbolic artefacts with which the thinker interacts. Memory, then, consists of a combination of external symbol storage such as books, computer records and so on, and internal states which may have been adapted for in serving a specific mechanism and subsequently have a generalised function (Sherry &amp Schachter, 1987: cited in Wells, 1996).

Ant Nest as Brain

In examining models of the mind, we considered two key constraints – that any model should consider the evolutionary evidence concerning adaptability, and that it should take into account the flexibility and universal nature of behaviour. The adaptationist model proposed suggested a model of mind comprising a number of specialized mechanisms making up the instruction set of a symbol processor, combined with an external world incorporating symbolic representations. It is my view that an ants nest provides a model of mind along these lines that is only quantitatively and not qualitatively different from a human brain.

In this model, I propose that the ants themselves function as a combination of neurons, synapses, and also work to bring sensory information into the overall nest. Thus the information gathered by a single ant and communicated to another may over time influence the behaviour of the nest, in much the same way that the presence of a heat source may influence a human’s behaviour depending on its proximity and power. In order to make this model convincing, we need to consider each of the aspects of our adaptationist model of mind in turn and assess whether an ants nest model of mind could be compelling.

We begin by looking directly at the evolutionary constraint and understanding the idea of specific mechanisms suited to specific tasks. In all ants, development takes the ant through a number of changes in behaviour, which define what are called temporal castes. Thus, behaviour changes from caring for the queen, to digging & nest work, and finally to foraging and defense. In some ants, these changes can correspond to physical changes, with the soldier or major ants being significantly larger in size than the minor ants.

These different behaviour types are evolved mechanisms for coping with different requirements. If we see the nest as the model for the mind, different means of interacting with the world dependent on requirement represent evolved mechanisms for dealing with incoming information – where we see danger in the movement of a snake, so the ant nest reacts to unexpected shaking by furious activity which in some species may also herald the arrival of soldier castes to protect the nest. The different behaviour of different ant species dependent on evolutionary environment is further evidence in this case.

In addition to this, there are many documented cases of symbiotic relationships with ants – most common perhaps being that of aphids, which secrete a sweet liquid called honeydew. Normally this is allowed to fall to the ground, but around ants it is kept for them to collect. The ants in turn keep predators away and will move the aphids around to better feeding locations. It is my view that this behaviour can again be seen as evidence of the advanced nature of the ant nest and its suitability as a model of the mind.

Our second area of concern when considering the ant nest and adaptationist model together is that of the general purpose nature of the processor. We have already seen how the application of ants to the Travelling Salesman Problem resulted in solutions equivalent to those of other general purpose heuristic mechanisms, and it is my position that this evidences the ability of such a model to satisfy the universality constraint.

The third and most difficult area to consider is that of the ability of the processor to handle symbols – to deal with semantic content. In order to avoid the problems faced by the symbol-systems approach, the adaptationist model proposed that the symbols processed were those in the outside world. This view presupposes that for the human mind to process said symbols in a way consistent with ‘meaning’, the symbols themselves must possess some form of significance – that is, they are assumed to be the product of some mind or minds. All information presented to the mind which is not of such a form would not be processed by the symbol-processing aspect but rather by the appropriate mechanism.

Interpreting the idea of semantic content in this way leads us to the view that semantic content is nothing more than an aspect of the environment that has been changed in such a way as to impart a message. As any simple definition of ant communication would detail, ant communication is primarily through chemicals called pheromones. For instance, when a forager finds food on its way home, it will leave a trail along the ground, which in a short time other ants will follow. When they return home they will reinforce the trail, bringing other ants, until the food is exhausted, after which the trail is not reinforced and so slowly dissipates. We recall that this was the method of interacting with the environment which was used in Ant Algorithms, and with good reason. I suggest that this level of semantic content, together with other aspects of the model considered is strong evidence for the conclusion that an ant nest is an adequate model of mind.

Summary & Conclusion

I began this essay with a proposal to discuss the question that an ant nest is an adequate model of mind. In order to examine this question, I first reviewed at a high level the notion of thought and some of the psychological history that relates to it, looking at specific examples related to the understanding of instinct vs. learned behaviour. I talked about the development of Connectionism and commented on the reassessment of the SSSM (Tooby & Cosmides, 1992) which gave rise to the field of Evolutionary Psychology.

I developed these ideas further in the second section of the essay, in which I looked at the twin constraints for any model of mind – these being the universality constraint and the evolutionary constraint. I showed how predominant models cannot in truth satisfy both, and following Wells (1996) proposed a model of mind in which the evolved adaptations served as the instruction set for a highly efficient symbol processor, these symbols residing in the external world. This model satisfied both criteria.

Building on this model of mind, I demonstrated how many of the characteristics of an ant nest have clear parallels in the theoretical model, and used this similarity to suggest the ant nest as a model of mind. Based on the evidence presented and the research done I therefore maintain that an ant nest has all of the necessary and sufficient criteria to model human thought & intentionality, and as such can be said to differ from the human brain only in quantitative terms.

Author: Stephen Levy writes for dispatx.com Dispatx Art Collective.

Dispatx Art Collective was created in 2004 by Oliver Luker, Vanessa Oniboni and David Stent. We work with collaborating artists to develop ideas and display works related to specific themes.

The website functions as a rigorous concept-space for the exploration of these ideas and is used both for the exhibition of completed works and as a focus for the exploration and advancement of collective projects.

Press : [ dispatx.com/scripts/mailing/Dispatx_310106_eng.pdf english] [ dispatx.com/scripts/mailing/Dispatx_310106_esp.pdf castellano]

Download Karaoke Music And Learn To Sing

Sunday, November 29th, 2009

Love to sing but need a little more help than just a few singing tips? Whether you just want to improve your voice for your personal satisfaction or whether you are hoping to pursue a career in musical world there’s plenty of online help. Download karaoke music and learn to sing.

There are some great sites online that offer a variety of services and lessons to help you learn to sing better and then you can download karaoke music to practice. Check out these options.

1. Electric Blues Club

This is the same group who created KrazyKats a resource site for musicians. Here at Electric Blues you’ll find resources for all ages - there’s free lessons, news, articles, and lots of laughs. And of course there are songs to download.

2. Vocalist.org.uk

Here you’ll find online singing lessons, articles, advice, and lots of tips from UK singing teachers. There are workshops, courses, classes, and here you’ll learn the most important lesson - learn to laugh!

3. Singers Survival Kit

If you live by the KISS theory then this basic vocal technique course might be just what you are looking for. It’s got all the essentials you’ll need if you want to become a performer and it also has Karaoke Studio practice software. Used by teachers and students around the world the Singing is Easy basics is a great place to start.

4. Fast And Funky Singer’s Warm Up Course

It’s simple, fast, easy, and fun so what more could you ask for. You can improve your voice or learn how to sing from scratch. You’ll cover music theory, vocal exercises, and a variety of other vocal work. Learn how to use this 8 minute warm up before every performance.

5. Singing Is Easy

This course is offered by several different sites and is one of the most in-depth courses online. There are 10 comprehensive sections along with singing tips, vocal exercises, and you′ll learn the secrets to singing.

Learn how to breathe properly, increase your range, strengthen your diaphragm, hold notes, prevent hoarseness, and use your vocal mask.

The audio tapes are available to download in MP3 format and You can also order the CD set complete with binder for your notes and sheet music.

6. Gifts For Singers

If you aren’t the singer but you have a friend that is then check out some of the great gifts here including magazines, home tutorials, downloadable programs, throat sprays, and so much more.

7. Fakebooks

This compilation of popular jazz tunes is a must have. You get the melody in a Midi file and the lyrics. Written in standard jazz keys Bb, Eb, and Bass clef. Be sure to check them out!

8. Performance Power Packs

These combined packs save you money and put together by some of the most talented people in the music field. It’s a unique system that’s fun and easy and will have you singing better in no time at all.

There are all kinds of sites that are there to help you improve your singing skills. Choose from online tutorials or paid courses, and take advantage of the ability to download karaoke music which is a great way to practice what you’ve learned.

Nan worked in a karaoke bar for 9 years before starting his own audio electronics store. His store specializes in karaokeadvisor.com karaoke machines and accessories and a much larger variety of items than almost all large department stores. At karaokeadvisor.com karaokeadvisor.com, he shares his experience with you by listing out the top karaoke essentials with buying advice on various products.

An Iranian Foreign Film Fails To Promote Real Understanding

Saturday, November 28th, 2009

Children of Heaven is an Iranian movie with subtitles about a boy who accidentally loses his sister’s worn out shoes after being sent to get them repaired, and must share his own worn out sneakers with her in a sort of relay while each attends school at different times during the day.

He bargains with his sister not to tell his father that he has lost her shoes, as the father will beat both of them.

This is a family literally living hand-to-mouth in a one-room rental with no, and I mean no, amenities, except a tea pot and television. There is no visible kitchen, no bathroom (one assumes they share a bathroom in the building), no beds (they sleep on the floor), and no apparent heat. Jeez, this is living in poverty in parts of the war-torn Middle East.

If you were born in America, you may have no idea how fortunate you are to be the one child among every 50 children born into the world who lives in a relatively free, democratic society, in the most prosperous nation on the face of the earth.

We have so much more of everything in America that even our less fortunate people live better than the majority of the people in undeveloped and underdeveloped nations around the world, but back to Iran and these particular children.

The shoe exchange in Children of Heaven goes on for days with predictable results, the boy is continually late for school and reprimanded, his sister longs for a pair of shoes, and she even suffers the humility of seeing one of her classmates wearing her missing shoes (a street vendor inadvertently picked up the repaired shoes while picking up refuse at a vegetable shop).

The same classmate then gets a brand new pair of shoes, and his sister must suffer the indignity of hearing that her old, repaired shoes were thrown away.

Alas, all is not lost, as the boy learns of a 4 kilometer foot race (approximately 2.5 miles), and the 3rd place prize is a pair of new sneakers. He knows he can run fast (he has been unknowingly practicing by having to run each day to school to get there on time) and decides to beg his way into the race, finish 3rd, and give his hard-earned prize to his sister.

Imagine the start of this race among his peers, it looked like the start of the Boston Marathon in America with 10,000 competitors. The race footage is well done. In the end, the boy does not finish 3rd, he wins the race, but not the sneakers.

Now get this, because this is important: At the end of the story, the father is able to finally buy his daughter a new pair of sneakers, the boy feels like a failure for not winning the sneakers, and his sister is sorely disappointed that he could not get the job done. The film ends on this note.

There is no resolution in this film, it is like I imagined the Middle East culture and mentality all over again, no consensus on anything, no meaningful result to anything, and negative to the end.

If it were not for this terrible ending, this film would have a 3-star rating rather than 2, however, I am not about to reward poor story telling.

Children of Heaven has some touching moments, and is instructive because it reminds us that no matter what the politics are, children are children; and they act like children, everywhere, and in every corner of the world. This film is worth the look, but brace yourself for an unsettling ending.

The postscript to this film from NETFLIX says "Children of Heaven is just that—heavenly." It is absolutely not, despite having some heavenly moments. Be advised that NETFLIX has some descriptions that belie the film’s actual presentation.

NETFLIX has lulled me to sleep once too often. I have rented NETFLIX films that are characterized as a &quotromantic comedy&quot when, in reality, I have been given a film with two funny scenes and a very heavy dose of disturbing human conflict with raw emotions and passion.

Copyright © 2006 Ed Bagley

Ed Bagley is the author of Ed Bagley’s Blog, which he publishes daily with fresh, original writing intended to delight, inform, educate and motivate readers. Visit Ed at . . .
edbagleyblog.com edbagleyblog.com

Free Horse Racing Tip for Today

Saturday, November 28th, 2009

Here is my free horse racing tip for today. First, it is better that you use only the spare money in the races. Racing is a speculative business, in case of losing in any of the races, you can lose all your money.

Anyway my free horse racing tip for today is the Assassin Method, which uses elimination as the basis of deducing a winner in each race. All the systems use a certain basis on which they decide which horse to choose and which one to eliminate, similarly this system too uses ‘The Racing Post’ as its basis.

To apply my free horse racing tip for today the initial elimination should be done this way:

Only those races which have a speed rating and less that twelve or twelve horses should be included;
All those horses, which do not have a speed rating should not be included, similarly in case a race has a quarter or more horses without speed rating should be included too;
You should include the horses with top ratings in these races, in your list, in case a race has more than one top racer, you should not include the race in your list based on my free horse racing tip for today.

This elimination in my free horse racing tip for today will give you a list of horses, which you should bet upon. You should start eliminating following type of horses from your list;
All those horses, whose rivals do not have any form behind them;
All those horses which have not been here for a long time, i.e. those horses which have come back after a long break, or the ones which are here only during this season and not for a long time won’t do for my free horse racing tip for today.
All those horses, which have not been placed in at least two of the three races that they have participated in won’t do either to use my free horse racing tip for today.
Last, all those horses that have never run for the distance this race is being played for will qualify to use my free horse racing tip for today

You should bet on all or any of the remaining horses. All the survivors or elimination are most likely to win the race. This free horse racing tip for today is a bit more complicated than usual. More often than not, this elimination will not have any horses eligible for betting on, in that case if you want to bet you can use another system for deduction. Or else there are more races with better horses and standards where you can surely bet and and use my free horse racing tip for today to earn money.

Some of my free horse racing tips for today will be a bit complicated for beginners, but it is most likely method to help you win surely at the races. The entirely speculative nature of the races makes it difficult to be sure about the results of the races. So you can always hope that the horse you have bet upon using the free horse racing tip for today wins. Otherwise to ensure that you will surely win at the races come what may, you can lay your bet on more than one horses so that whichever wins also makes you the winner. This was my first free horse racing tip for today.

ABOUT THE AUTHOR: John Anthony’s
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