Archive for October, 2008

The Invention Of Land; An Eyewitness Account - Part Two of The Invention of Everything

Friday, October 31st, 2008

Continuing Readers: Please, page down past the brief introductory note.

New Readers: If you missed Part One, “The Invention of Sex,” you’ll find it elsewhere on this site or in the archieve of previous issues at NewsLaugh; the link is on the lower left. Here’s the brief introduction to these remarkable notes, repeated for your convenience.

An unexpected manuscript showed up in our inbox. We were immediately convinced of its authenticity and decided we had to share it with you. It was accompanied by the following note:

“Hi, there. How’s life working out? Who am I? That’s for me to know and for you to guess. Let me just say that I witnessed the invention of everything. And I kept good meeting notes.

“I wanted every planet to come with an instruction manual, but my suggestion was a nonstarter. I decided the next best thing I could do is release my notes. I hope they help clarify things for you.

“I sent them by Multi-Verse Mail to all the planets projected to have life on them that could read. As far as the earth goes, I addressed it to NewsLugh.com. I figured it would exist about the time the news would come in especially handy. Why a humor magazine? Hey, I think I’m a bit of humorist myself.

“Sorry, but I have to be a little vague about the participants in the meeting, because they’re all very high up the totem pole of the universe and like to keep out of the spotlight. But I assure you that my notes are accurate.

“I thought I’d start with the invention of sex, since that seems to be the foundation of a lot of things. This particular invention was a tough one because we weren’t sure how to make it work.

“For instance, some of the participants wanted direct physical contact. Others thought the male could mail his sperm to the female, and she could deposit it in an egg bank. “Direct contact between the two, though it seemed like a daring idea at first, won on its overall merits.

“Then the question became, should it feel good or not? I’m happy to say that feeling good won by a unanimous vote. After all, we want you to like us.

“Looking back, I think we made the right decisions, not only about sex, but about everything. And, speaking of everything, you’ll find how it was invented in my notes, too, or, at least, the highlights, like land and water, air, light, people, other animals, plants, and details like gravity and magnetism.

“I hope my doodles help you understand why things are the way they are and appreciate our handiwork. Nothing would make me happier.

“In conclusion, I just want you to know we did our best, and I sure hope you like us for what we decided.”

The Invention of Land

Now, it came time to invent land. First, we had to tackle a big question: Why should there be anything, instead of nothing? Here are my notes on the meeting:

“OK, today is the day we invent – what did we decide to call the dry stuff?”

“Land, boss.”

“Thanks.”

“May I say something?”

“Sure.”

“Before we go and invent land, let’s ask the big question. Why should there be anything, instead of nothing?”

“Why? You like nothing better? Sounds kind of empty to me.”

“Boring!”

“Well, we’re here. That’s already something.”

“True, and, as long as we are, don’t we want to do something constructive?”

“Sounds right to me.”

“OK, then, that’s it. All in favor of inventing land, raise your hands.”

Everybody raised their hands.

“Good. So let’s go on. How do we get the job done?”

“How else? The usual way. Little by little. Then, over time, we have something really big.”

“OK. So what do we call the stuff we start with?”

“How about dust?”

“Dust? You want to call the atoms and molecules I’ve been working on for over a week dust?”

“Sorry. It looks like dust.”

“That’s what you know. I put all the intelligence required in those tiny wonders for my so-called dust to combine into all kinds of higher creatures and plants.”

“You did?”

“Yeah. And don’t think it was easy.”

“How do they do that?”

“Easy. They respond to whatever kind of environment they find themselves in and get to work.”

“OK, I like that.”

“Sure, sure, but right now the dust is just sitting idly by. How do we get it going, so it can amount to something?”

“You’re right. Say, what if we pack it into a really tight ball – I mean, like, incredibly tight – and suddenly, wham-bam, it releases all the energy we squeezed it together with and it flies apart.”

“Energy? You never mentioned that before? Is it something new?”

“Oh, sorry about that. You’re right. I forgot to tell you energy is the other half of the tiny wonders I cobbled together in the lab. It makes all the itty-bitty parts do their things – swirl, attract, repel, and combine in all kinds of ways. You name it.”

“Oh. Good thing you thought to make it.”

“Thanks. Now, I don’t mind the name ‘energy.’ But can we please think up another name for ‘dust’? I can’t stand knocking my marvelously capable inventions like that anymore.”

“OK, OK, anybody got any suggestions?”

“I have it. The dust is the foundation of everything, right?”

“Right. So it really matters?”

“Un-huh.”

“Then, hey, why don’t we call it matter?”

“Matters? Matter. I like that. Neat tie-in.”

“Then it’s settled. Everything is made up of energy and matter.”

“Why don’t we say them in the order they’d logically occur: first we have matter and then we have energy?”

“I could go for that but, to tell you the truth, I made them so they’re interchangeable.”

“You did?”

“Yeah. But I’ll grant you this. They sound better if you put the ‘matter’ first, as in ‘matter and energy.’ Turn that on your tongue, and I think you’ll agree.”

“Sounds better to me. So let’s go with that. Everything in the universe we plan on building is made up of matter and energy.”

“Says who?”

“Me.”

“What about where all the stuff goes? We need a place for it.”

“When you’re right, you’re right. So we also have a place.”

“Sounds way too indefinite. How about we alter the word ‘place’ a wee bit?”

“As in?”

“Well, what if we take out the “l,” which is just standing there all by itself, bend it into an “s” shape, and put it first. Then we’d have ’space.’”

“Nice word. Sounds right.”

“I agree. So then ‘space’ it is! Anything else?”

“Is the big thing we’re going to invent going to be there a while or is all this effort for next to nothing?”

“Let’s hope for a long while.”

“We have to provide for that, don’t we?”

“For what?”

“The duration.”

Good point. But ‘duration′? Do we like that?”

“Sounds kind of wimpy to me.”

“Yeah, the syllables just seem to tumble all over each other.”

“Let’s just do what we did with ‘dust’ and think up a neater name.”

“Excellent.”

“Hey, why not pick a word that goes with how big a job we have ahead of us?”

“Like what?”

“Time.”

“Has a nice ring to it.”

“Yeah. Sounds long, too. Anybody for changing the name ‘duration’ to ‘time’?”

Once again, everybody raised their hands.

“OK, so now, let’s review things. We have four things: matter and energy, space and time. Are we all right on that?”

“What do you think? You did the grunt work on most most of the stuff.”

“I think it will do for now. I mean, we’d be getting ahead of ourselves, but the guys down in the lab are working on the ways these things interact.”

“Interact? Oh, yeah, I can see that. Can you be a little more specific?”

“No problem. We’re toying with concepts like motion, gravity, magnetism.”

“Sounds fascinating. But let’s stay with the topic at hand.”

“You’re right, boss. Land is tough enough to invent.”

“OK, now, we’ve got all this matter. We pack it into a tight ball. When it’s packed tight enough, the pressure releases and sends the matter flying every which way. How’s that?”

“So far, so good. We should have a name for such a big event. Any ideas?”

“First, let me ask, should it have a sound effect?”

“Why?”

“What, a big thing like that should happen and there’s no sound?”

“You’re right. Even when we play pool and one little ball bangs off another one, there’s a smack. A sound effect is only fitting.”

“Who’s going to be there to hear it?”

“Always metaphysical. Can we just stay with the practical stuff for now?”

“Sure. Just thought I’d bring it up.”

“Anybody got a name suggestion?”

“Well, since the whole thing is so sudden it could all kind of go bang.”

“Sounds reasonable. So we call it a ‘bang.’”

“You mean, ‘The Bang.’”

“Right.”

“That’s it? Something this big?”

“OK, OK, how about ‘The Big Bang’?”

“Very workable. But I don’t know if it captures the romance of it all.”

“Only a scientist could think of such a clunky name for such a grand event.”

“You’re the literary person. Give us a little help here.”

“Sure, sure. Well, it’s really kind of like a birth, right?”

“Yeah. A birth. Go on.”

“So that’s what we call it. ‘The Birth.’”

“Much better than ‘The Bang’ if you ask me. But can’t we give it some appropriate magnitude, like the way we put ‘big’ into ‘The Bang’?”

“How about this? We call it ‘The Birth of the Universe.’”

“Wow, that knocks me out.”

“OK, it’s settled. ‘The Birth of the Universe’ it is. I’m making an executive decision on that. Now, here we have this matter, flying out in all directions. What happens next?”

“What else has to happen?”

“Are we going to invent creatures or aren’t we?”

“Yes, we agreed on that.”

“So where are they supposed to walk. On the dust?”

“You’ve got a point there.”

“Don’t tell me.”

“What?”

“No sooner do we send the dust flying – sorry, I mean the matter – than we have to get it to come back together again.”

“No, no, we’re past just a redo. We need to work it out so that now the matter agglomerates in a whole lot of disparate places.”

“Aggloma – what?”

” – erates, as in clumps up.”

“Oh, fancy word for the same thing if you ask me. But go ahead.”

“OK, so it agglomerates into really big things that creatures can actually walk on.”

“That big, hunh?”

“Only other choice is to make their feet really tiny.”

“Right again. You’ve got an incredible understanding of this.”

“Thanks. I’ve thought about it a lot.”

“So now it sits there, and we have what part of the plan in place.”

“Space.”

“What?”

“In space. Remember, we renamed ‘place′?”

“Oh, right.”

“Well, it’s a very basic part of things. After all, no agglomerations, no places for much of anything else.”

“Solid thinking. So these agglomerations are really ‘it?’”

“Well, fundamentally speaking. Hey, I have it. Why don’t we put the word ‘plan’ together with the word ‘it’? So we call each one of the agglomerations a ‘planit.’”

“Way too transparent. We can be more subtle than that, can’t we?”

“OK, OK, let me think. What’s the most artful way to get the job done?”

“What else? We change only one letter in the name.”

“Same old, same old.”

“But it works. So let’s stay with that. Now, we don’t want to mess with the word ‘plan,’ do we?”

“Too essential to the entire process. After all, what can you do without a plan except make a mishmash?”

“So then we’re down to ‘it.’”

“’It′ it is. And I like the way it ends, with that very definite ‘t′ sound at the end.”

“Me, too. So that leaves only the ‘i’ to work with. What do we know about it?”

“You mean, about the ‘i’ in ‘it’?”

“What else?”

“We decided way back when to call the thing a vowel, right?”

Right.”

“So let’s just work with the available variations.”

“Why don’t I write them out on the easel, boss?”

“Good idea. Go for it.”

I got up and went to the easel. I picked up a Cosmic Marker and went to work.

“We have, in the usual order of the vowels, ‘planat,’ ‘planet,’ ‘planit,’ which we already nixed, ‘planot,’ and “’planut,’ which sounds a little dicey to me.”

“I see two contenders – ‘planet′ and ‘planot.’ What do you think?”

“I think it would be really counterproductive to name something that we’ve worked so hard on with one out of only two syllables being a big fat “not,” staring everybody right in the face for a long, long time.”

“You’re right. So what if just we go with ‘planet’? Everybody in favor of calling the balls of dust – excuse me – the agglomerations of matter ‘planets,’ raise your hands.”

All present except one raised their hands.

“Why the abstention?”

“I don’t know, boss, I kind of like the crazy sound of a ‘planut.’”

“Well, you always were a bit of a nut. ‘Planet’ carries by a majority vote.”

“OK, so now we have a planet.”

“Correction. Planets. Remember, the whole thing, as planned, is going to be huge.”

“You’re right. We have planets. What else?”

“What does the land look like? Is it bumpy, like an agglomeration often is, or is it smooth in places?”

“Do we want the creatures on it to have to walk around on bumps all the time?”

“Would that make them happy?”

“No way. We can do better for them than that.”

“Hey, what if we go all the way and make the whole thing flat as a pancake? Then they could walk for miles and miles.”

“Then it wouldn’t be an agglomeration.”

“Excess. You always become excessive.”

“Sorry, boss, it was just a thought.”

“OK, then, how about we keep it round but it’s smooth as a cue ball?”

“Can you please keep your mind out of the pool hall for a few minutes longer? We’ll be done soon enough.”

“I think all smooth is really boring myself. I don’t care whether you call it a pancake or a cue ball.”

“Me, too.”

“I think it’s time to remember our variety principle.”

“Agreed. So this is it. We have bumps and smooth places.”

“Excellent. But, as long as we’re talking about variety, how about hard and soft?”

“And, hey, what about all kinds of colors?”

“OK! Wow, this planet thing is starting to sound really interesting.”

“Do you think your atoms and molecules can manage all those variations?”

“No problem. I worked out the mathematics. The matter is ready to be as perfectly responsive to whatever conditions it winds up in as water tumbling down a hillside.”

“Water? Did you say water?”

“Yeah?”

“What’s that?”

“Something else we’ve been working on in the lab.”

“Really? What’s it do?”

“What? All you want is land? Think about it. Shouldn’t there be something else, just to even things out?”

“Interesting but –”

” – I agree.”

“Sure, boss.”

“I also had this nagging feeling that we might be missing something.”

“Hey, you just gave me a flash.”

“What?”

“The concept behind it. Duality! Land longs for something else to complete it, like left-right, up-down, boy-girl?”

“Good observation. So let’s all think about it. We reconvene tomorrow morning, same time, same place.”

So we brought the invention of land to a successful completion. But what else would we need for a planet to be a planet? I mean, something really gorgeous. Hmm, I went home thinking about that. The more I did, the more I became convinced that water had a place.

Tom Attea, humorist and creator of NewsLaugh.com/ NewsLaugh.com, has had six shows produced Off-Broadway. Critics have called his writing “delightfully funny,” “witty,” with “great humor and ebullience” and “good, genuine laughs.”

Inside Dice Bets

Friday, October 31st, 2008

Inside dice bets are bets made on the five, six, eight and nine. These are favorite betting numbers of many dice players. The reason these bets are used is they can be placed on these numbers at the discretion of the player. They also can be taken down at any time or just marked as “off” for a few rolls.

All four of these numbers are rolled often in the normal course of a shooter’s hand. When a table becomes hot, these numbers are the rolled repeatedly. With these inside numbers covered, the player receives a steady stream of payoffs. There are several ways the player can handle this flow of payoffs. The player can elect to keep the entire payoff each time it is paid. Another idea is to press the first winning bet and then keep half of each payout and press the bet with the other half. The final way to handle the payout is to press the original bet twice and then keep any payouts from that point forward. The decision on how to handle winnings from these bets is a simple one. How aggressive does the player want to be in his play at the table? This determines the selected play of this group of individual bets.

When a place bet is placed on the six or the eight, the player is accepting the odds of a payoff of 6 to 5 if the number is rolled. The payoff on a placed five or nine that rolls is 7 to 5. As you can see if these numbers are repeating, absent the seven, and a parlay or partial progression strategy is elected, the winnings can accumulate rapidly. It is this betting strategy coupled with proper betting on pass line numbers by taking the odds that are allowed by the casino, which helps to cut the house edge in craps to the lowest edge on any game offered by a casino.

On a hot table the player should be doing the following bets. They should be placing the inside numbers. They should be taking full odds on pass line numbers. They should be buying the four and ten instead of placing the bet.

By doing all of these bets while the table is repeating numbers, the winnings can grow faster and make for a sizeable score for the player. Winners at craps play properly and take full advantage of the bets offered by the casino. They know what to do and then they do it.

This article is brought to by toptenonlinecasinos.net Online Casinos.

Chinese Go

Friday, October 31st, 2008

The game of Chinese Go is called Weiqi in Mandarin. There a couple of
different theories on the history of the game Go and how it was originated. One
theory is that it was invented by an Emperor who wanted to increase his son’s
mental faculties and so devised a game to do so. Another theory is that it was
developed by court astrologers during the Chou dynasty (1045-255 BC).

Chinese Go is the world’s oldest board game, and is at least 3,000 to 4,000
years old. Weiqi was called Go when it was imported to Japan roughly 1200 years
ago. Playing the game Go improves your strategy and your memory skills, much
like Chess. Some schools in Asia even teach Go to help their students improve
their thinking and strategizing skills.

The Go board is composed of 19 parallel lines and 19 vertical lines. There are
361 intersections on the board. Of these, the most important intersections are
known as star points. Each Go set comes with a flat playing board or mat and 180
stones in both black and white. The black stones always make the first move. The
stones move between the points on the board, rather than staying within the
colored squares as in checkers or chess. The stones can only be moved one time.

Each player is free to move the stones around on the board unless the other
player moves vertically or horizontally close to them. When this happens, the
other stone loses the freedom to move around the board. When a stone loses its
freedom to move around the board in any direction, then that stone is moved from
the board. The game of Go ends when both players agree that there are no further
moves left on the board, or when one of the players forfeits the game.

If you would like to learn more about purchasing the game of Chinese Go, please
click hinkyimport.com/chinesego.html here. Sylvia
Smelcer is the owner of Hinky Import, an online store specializing in items from
Tibet, Nepal, and China.

Digital Photography Tips - The Big Five Of Digital Photography

Friday, October 31st, 2008

Digital Photography Tip One - Busting The Dust:

Digital SLRs with removable lenses are prone to dust landing on the sensor. Static electricity around the sensor can possibly contribute to attracting dust particles, or other elements to this sensitive area of your camera.

To get rid of the dust you can use a camera blower brush, and tilt the camera down while blowing. Take care not to get any of the hairs snagged inside!

Digital Photography Tip Two - Shedding Light On The Night:

For night photography using only a flash can leave you with a well exposed - but isolated - subject against a dark background. Most digital cameras nowadays have a slow-sync flash feature, which combines the short flash exposure with a proper exposure for the rest of the background. On a camera such as the Olympus SP500, this feature is a preset mode called “Night Portrait”.

To ensure expert nighttime shooting, a good digital photography tip is to look for a digital camera with the following features: shutter speed of up to 30 seconds; shutter priority mode; manual ISO settings at least to 400; slow-sync shutter mode.

Digital Photography Tip Three - Nit-Picking About Pixels:

When buying a digital camera you will be confronted with a vast choice of various megapixel specifications. It is worth knowing that not all pixels are created equal!

Some cameras have more pixels crammed onto the same sensor size as another model. More pixels in this case means smaller, and therefore less effective pixels. In this situation the camera with fewer pixels on a similar-sized sensor, might actually produce better images all round.

Digital Photography Tip Four - Spice Up Your Space:

With digital photography you will find yourself taking more pictures - and chances - than ever before, without the worry of the cost of failure. However, that means you will need a lot of digital storage space, especially if you are diligent about making backup copies of your best work.

If you′re doing out-of-town nature photography, a digital photography tip to keep in mind is to make sure you take along enough storage devices, such as a laptop, DVD’s, and external hard drives. RAW images can quickly get you into storage problems!

Digital Photography Tip Five - Remember To Flash:

For great outdoor portraits, make sure you use your digital camera’s fill flash, or flash on mode. Don’t wait for the camera to decide whether or not the flash is necessary. It might decide that there is generally enough outdoor light.

The fill flash mode will ensure proper exposure for the background and enough flash to expose the subject in the foreground, leaving you with a professional looking portrait.

Lastly, remember that, if someone offers expert advice, they may expect a generous digital photography tip!

For more information visit

Casino Jackpots

Thursday, October 30th, 2008

Legend has it that the term “jackpot” originated at a time when riverboats with casinos traversed the Mississippi river. Stories suggest that an unbeaten and skilled poker player named Jack Rodgers saved all his winnings in a big iron pot. This was secured at his favorite casino. Rodgers decalred that if anyone could beat him they would win all his wealth. As this decalartion spread, people started referring to the large prize as “Jack’s Pot.”

It is possible that this legendary wealth came to be known as jackpot through the years. The terminology is still used to refer to winning a large prize. Today “Jackpot″ is a popular slot machine game. The game is always played via the Internet.

The game is fairly simple. The slot machine downloads three randomly selected numbers or characters. A player has to insert a specified token to start the game. The numbers spin in an automated pattern. The objective of playing casino jackpot is to get identical numbers in all three slots after a spin.

Casino jackpot is a common slot machine game in all casinos. A major reason for this is because the game is almost always designed to attract a player. The stakes in casino jackpot are very small. People have to purchase tokens of very minimal value. Since the monetary denomination is less, people in turn tend to spend a lot without realizing. The game is designed to allow people to have occasional wins.

There are people who are reputed to have won enormous sums of money at a casino jackpot game. The game is a window to the entire casino experience. Casino jackpot accustoms people to take risks, preparing them for the larger casino games. The game is known to be highly addictive. This is a direct result of the low stakes in trhe game. People are always willing to take another chance at casino jackpot just in case the next spin proves to be lucky.

z-Casinos.com Casinos provides detailed information on Casinos, Vegas Casinos, Casino Gambling, Casino Poker and more. Casinos is affiliated with z-Gambling.com Casino Gambling.

Respects for - Madonna

Thursday, October 30th, 2008

When I first met my husband, Larry, he said, “If Madonna was playing in my front yard, I would go out the back door and take a crap.” Needless to say, he did not go with me to Chicago, July 2004, to see her in concert. While I watched her, I told my friend, Suzie, “My soul aches to know I may never befriend her.”

Once in an interview, Madonna, talked about people that have been standing at her gate for twenty years, not listening to the lessons she was trying to get them to hear. These fans choose to disrupt her privacy and life, instead of appreciating and applying her experiences to theirs. I don’t want to be a person at the gate; rather my soul yearns to know what she knows and what must be expressed. I am comforted by her creativity and respect this individual that needs to know more and continue to grow.

As we returned from dinner one night, I played “Paradise Not For Me” by Madonna. Larry said, “My God, that was great who was it?” The weeks that followed, I played more songs and we watched videos from her Madonna Video Collection 93:99. By spring 2005, Larry’s Material Girl, sexually exploitive, irreverent opinion of Madonna was abolished. He is an advocate for her creativity, beauty of expression, individualistic talents and now says, “You know, Patti, people are going to look back on her and think, “what we were thinking, we should have listened when she was living.” She is amazing; everyone should pay attention to this girl.”

You don′t have to like her, understand her images or ideas, but you must listen and try to apply what you hear to your life and experiences. Like my Larry and Madonna, you too can change, grow and be better. Pay attention to this beautiful soul while we still have her.

A former computer professor turned Internet writer, I have combined elements of the film,music,and publishing industries to create a new genre exclusive to the Internet- Digi-Tome’s. Interested in a different way of learning and beautiful way of living, I created the world’s first digi-tome, “life”.

Respectfully- Patti Pacifico
pattipacifico.com pattipacifico.com
respectfully-pattipacifico.com respectfully-pattipacifico.com

Discover the Unique History of Mechanical Music, Part I

Thursday, October 30th, 2008

The delicate sounds of a ballerina music box, inlaid music box, musical jewelry box, or music trinket box is loved by many a music box and antique collector. Some collectors and lovers of mechanical music may not realize the interesting history that is part of the world of music boxes and mechanical music. Let’s discover what that is.

Attempts to create mechanical music reproductions really began in the third century B.C. Plato had an idea for making a water clock that would sound the hours of the night on pipes. He felt this was needed since darkness made it impossible to read the face of a clock. No one knows whether or not the clock was made, but it did reveal that interest to produce music automatically occurred very early in history. Singing birds and organs, which were worked hydraulically likely, were developed from Plato’s clockwork idea.

After clocks were invented in AD 1000, more advances were made. Soon carillons of bells were made which played simple tunes on a barrel. Next came the barrel organ, which had air for the organ coming from bells driven by clockwork.

One of the most basic elements of mechanical music is how storage of the music is in a barrel or sheet, both of which rally make the memory of the instrument. The music was then set on the barrel with pegs and pins and on the actual sheet as perforation or projections. When rotated steadily and evenly against the levers, the levers then played an organ or carillon.

In 1502, the first mechanical music was made in the form of a barrel organ. The most famous one was the organ made in Salzburg for L. Von Keutschach. It had 350 pipes from which music from a barrel was played. The organ only had one tune for centuries until Leopole Mozart composed 11 more in 1753. Now, only 9 tunes survive on the original barrel. Announced with a grand and might chord, the locals have nicknamed it the “Salzburg Bull”.

It is fascinating that mechanical music has been around for so many centuries. It puts a unique perspective on the history of collectibles such as music boxes, antique music boxes, ballerina music boxes, inlaid music boxes, musical jewelry boxes, and music trinket boxes.

Copyright 2006 Monique Hawkins

Monique Hawkins is the owner of Monique’s Music Box. Located at My-Music-Box.com My-Music-Box.com is a music box gift store specializing in products such as inlaid music boxes, wooden keepsake boxes, ballerina music boxes for ballerina rooms décor, and musical jewelry boxes. The company also provides interesting information for music lovers of all ages.

IED - Improvised Explosive Device

Thursday, October 30th, 2008

IED - Improvised Explosive Device
A cunning way to push vice
Meddle in international affairs
Stir up trouble and get in others hair
The Bush administration does it well
Ironically playing the neerdowell
By no means is Iran’s President swell
Ahmadinejad wants to annihilate Israel
Both he, many Muslims, and the devil
Perhaps America should come to level
The Iranian dictator and usher in democracy
Make the younger generation free and happy
Nevertheless there is a unique art to diplomacy
To ensure and secure long-term relations
Peace is an intangible commodity not easy
To obtain, mediate, neither negotiate
The enemy always wants to aggravate
Deviate, denigrate, alienate, and isolate
Timing is also crucial, lest we be too late
However moving prematurely can insatiate
The enemy’s ego and ravenous appetite
To start World War III and a furious fight
Thus we must navigate through this right
Involve and interact with nations nearby
Give it a go, bite our tongue, and try
To engage leaders in the Middle East
Stabilize borders, insurgents, and find peace
Bring to the oppressed liberty and release
While wisely welcoming and maneuvering

Fighting evildoers and nation building
Resist being self-righteous and idolizing
Our culture, concepts, and body politic
Stop, halt, harness, say no, and forego
Pushing on militarily like a mercenary
Guerilla warfare for making money
Regime changing for oil procuring
The Saudi royal family we protect
The price of oil we can′t neglect
Nor can we worship and be glued to it
IEDs are far more than military weaponry
Ideological economic devices rhetorically
Surface instinctually and harm us globally
Alienating friends for us internationally
These IEDs we must question incessantly
As without Iran, Iraq remains in instability
Let us not demonize influential Iran unnecessarily
This strategic enemy must be won with diplomacy
Because many Iranians agree with us ideologically.
Therefore let us deal with Iran’s president individually
On another front we can address its people collectively.

Paul Davis is a FL real estate professional, life coach (relational & professional), worldwide minister, and change master.

Paul is the author of several books including Breakthrough for a Broken Heart; Adultery: 101 Reasons Not to Cheat; Are You Ready for True Love; Stop Lusting & Start Living Waves of God; Supernatural Fire; Poems that Propel the Planet; and God vs. Religion.

Paul′s compassion for people & passion to travel has taken him to over 50 countries of the world where he has had a tremendous impact. Paul has served in many war-torn, impoverished and tsunami stricken regions of the earth. His Dream-Maker Inc. is building dreams, breaking limitations & reviving nations.

Paul’s Breakthrough Seminars inspire, revive, awaken, impregnate with purpose, impart the fire of desire, catapult people into a new level of self-awareness, facilitate destiny discovery and dream fulfillment.

Contact Paul to minister, speak at your event or for life coaching: mailto:RevivingNations@yahoo.com RevivingNations@yahoo.com, 407-284-1705.

For additional info:
DreamMakerMinistries.com/ www.DreamMakerMinistries.com

Comedy Comes Natural for Robin

Wednesday, October 29th, 2008

He’s cute, adorable, charming and has a great sense of humor. He’s an actor and comedian and he’s good at both. Let’s face it, among the current comedians on television and the movies, Robin Williams is one of the top choices of viewers. Since earning his popularity in the 1970s, his name has never lost its sparkle.

Comedy comes oh so natural for this man, although he’s outstanding, too, as a serious actor. But well, it’s always the funny side that we love best because of the light and happy feeling that we get when we can laugh our hearts out. Did you know that Robin Williams’ interest in comedy began at a very young age? Being an only child, he spent more time alone developing his imagination and entertaining himself by memorizing the comedy records of Jonathan Winters. He also developed his quick humor as a defense mechanism against the constant teasing of classmates in the private schools that he attended. His funny side continued to show even until high school during which he was voted as the funniest person.

The actor’s penchant for comic relief never waned after high school. Although he was taking up political science in college, he also engaged in improvisational comedy. However, it’s interesting to note that Williams actually underwent formal training in drama initially at Marin College in California and later on at Juilliard. On the side, he worked as a mime to support his education. Eventually, he became a standup comedian at the Club Circuit after leaving the art school.

Robin got his first big break as a comedian after appearing in L.A.’s Comedy Store. That lucky appearance led to a regular gig on Laugh-In. He was later cast as a crazy space alien named Mork from Ork on one episode of Happy Days. The audience loved his portrayal of Mork’s character that producer Garry Marshall decided to give Williams his very own sitcom entitled “Mork and Mindy” which ran on TV for four years from 1978 to 1982. Of course, the show was a great success and catapulted Williams to fame making him one of the most popular comedians of the 1970’s and 1980’s together with Richard Pryor and Billy Crystal.

On the big screen, Williams’s first title role was that of Popeye in 1980. What followed were several films, both comic and serious ones. However, it was the 1987 film “Good Morning, Vietnam” that made him famous as a movie actor. His role as real-life deejay Adrian Cronauer who was based in Saigon in the 1960’sbrought out the best of Williams’ talent in both comedy and drama. He sure did impressed viewers with his hilarious comedy routines as a radio disc jockey and got their sympathy with his dramatic scenes outside of the radio station. It was no surprise that his great performance earned him an Oscar nomination for best actor.

Robin Williams had several other comedy films that were big hits like Mrs. Doubtfire in 1993 and The Bird Cage in 1995. He had a number of more serious films, too, but fans wanted him back on the comic trail. In 2006, he returned to what he does best – making people laugh – with roles in the comedy films RV and Man of the Year. This year 2007, reports have it that Williams is set to do four movies.

Unless you don’t know yet, Williams has actually recorded three comedy albums and has emceed Comic Relief, a yearly televised benefit for the homeless, since the 1980s. And as if that’s not enough accomplishments, just last January 9, Robin won the People’s Choice Award for Funniest Male Star. In a short speech, he thanked his mother and his idols in comedy George Carlin, Jonathan Winters and Richard Pryor.

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Arranging for New Age Piano

Wednesday, October 29th, 2008

A while back, I wrote an article that compared flower arranging to music arranging. While this may seem a world apart, it really isn’t.

In flower arranging, the goal is to create a pleasing whole using different flowers, colors, textures, etc. If you′ve ever seen a beautiful flower arrangement, you′ll know what I mean. The eye takes in the various contrasts and colors and is pleased when it forms into one satisfying whole.

In music the object is the same. When arranging a piece for New Age piano, we work with sections. We can label the sections (A) and (B) and then “arrange″ the sections into an order. The most common order is ABA form. It has the benefits of simplicity and is a good place to start with New Age piano.

Most times, I’ll use an 8-bar phrase for the (A) section. This gets repeated 2 or 3 times. Then it’s time for some contrast - the (B) section. This can be a 4 or 8-bar phrase depending on taste. Then the (A) section is repeated one last time.

Now, there are other elements that go into our arrangement such as introductions, transitions, and endings. Using these elements, we can create a pleasing musical arrangement that satisfies the minds need for order and beauty creating art!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s quiescencemusic.com/piano_lessons.html online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Visit quiescencemusic.com/piano_lessons.html www.quiescencemusic.com/piano_lessons.html now and get a FREE piano lesson!