Archive for February, 2006

Destiny of Man’s Consciousness in the Age of Rationalism

Tuesday, February 28th, 2006

What is destiny of man? Or what is destiny of humanity? There are several answers suggested by philosophers but very few could answer it correctly. Philosophies of infinity declare that man’s destiny should not be less than his absolute freedom. Freedom not in relative term rather freedom from all relative phenomena. These philosophies were not meditated from the point of man as ‘desiring being’ rather from the point of ‘being’ as pure and eternal. Man’s destiny thus is not to satisfy only desires rather to realize some more important truths of life. But philosophies of modern age declare another truth and decided another destination for humanity to achieve and it was ‘desire’. Desire became the sacred philosophical truth which bore the seed of modernity. And the epistemology that narrated the philosophy of desire was rationalism.

This great narrative of desire which was narrated from the reason took many turns, this time is has incarnated in the form of philosophy of post modernism. In the history of western thought philosophy of desire had always been central theme, it was necessary for every philosopher to make it central point of investigation. Reason which is always contradictory became man’s light. This reason which narrates the desire was/is desire itself. It dismantled very thing which did not supported it. Desire is blind, it sees nothing accept desire. Thus all religions and religious philosophies became obscure, irrational, speculations; rationalism which declared hitherto existed everything irrational and speculations was itself speculative from the very beginning . Started with Rene Descartes to till now, the philosophers of rationalism are speculating.

Science too which is based on the rationalist philosophy speculated not less and still is speculating however they declare that their theories are solely based on concrete observations. For example the concept of atom propagated by Vaisheshik philosophy was just speculation but the same thing when invented later by Dalton it became science. Though Dalton could not provided any proof other than a speculative hypothesis that there is a smallest particle in the matter called atom which later declared wrong since there were uncountable particles. Till today, science is speculating about the root of the matter, recently they have speculated that there is a phenomenon in the heart of the matter and thus cosmos, called string; on which everything is based. And this string is floating in time and space, it is both outside and inside, it is a kind of absolute element, from which everything is formed or which forms everything. But a symbolic expression of philosophies of infinity in this regard is useless and just an irrational idea. Einstein in his hypothetical journey once speculated that ‘ presence of mass ‘ curves space’ gravity is a property of space’ but before his death he declared that ‘ space has devoured ether and time; it seems to be on the point of swallowing up also the field and corpuscles, so that it alone remains as the vehicle of reality’. But when a Vedanta philosopher says that space is primary element in the material phenomena it becomes speculation.

The rationalist- empiricist philosophy which is solely based on rational categorization of things, on sign system, on system of unity destroyed the very human endeavor to jump in the truth infinite. System of knowledge which was earlier free wandering in the matter of things became so rational and closed that it lost its inner wisdom. Rationalism’s sole concern was not to take any flight rather to structuralize things, situations, events etc in order to hold power. Its major philosophical concern was to exploit people in the name of progress.

In all this progress of science and society, man was no where only there were concepts in which man’s destiny was captured. Man’s consciousness which he brought with him became a subject to be governed and all this was done with the political concept of ‘common’ of rationalists. Man was bolted in the mechanism of ‘common’ beyond it he has no individuality. Man is man through the ‘common’. The day this concept of ‘common’ came into existence man lost his very freedom to think and meditate. It was Hobbes who formulated it first in his book Leviathan. He was the first rational political philosopher who said that, ‘in the beginning, before the formation of society there was war (and it was for sex and material gain) to get rid of this bloody situation of war in which each was against each one; they came to form a ‘common’; a contract that from now on we are bound by a law of ‘common’. Of which king became head in which absolute sovereignty resided, no one could transcend his absolute sovereign power of law making and enforcing.

Since than, the theory of ‘common’ is in practice, no political theory raised any question on the metaphysics of ‘common’ in which man is destined to suffer. Since Hobbes, all the political theories only upgraded his theory, only refined it and made it more and more complex. Even most acclaimed revolutionary political theory of Marx too could not go beyond Hobbes. Only Heidegger raised question regarding reason’s authenticity he said, “the domination of intellect and logic has to be ‘broken’ in order that we may raise question concerning being and nothingness”. He contemplated on the relationship between man and every man (common). In ‘being and time’ he said, “ the dictatorship of every man might be seen as a conservative, unimaginative narrow minded, and ‘conformist’ way of endorsing a common cultural background, in which one identifies oneself entirely with traditional stereotype role”. He too could not think beyond common though he was against man’s rational positioning in the ‘common’. He says that one should learn to be responsible for oneself within the matrix of the ‘common’. Thus man can not free himself from the commonality of the ‘common’. But the ‘Common’ which was formed as a system of law, in its later phase of evolution transformed in to a mechanism, of which there was a goal.

This goal, which was attributed to the ‘common’, was not of people who formed it rather of those who got hold on production mechanism. Thus the ‘common’ got a goal that in its later development became universal. The goal which was set forth for the ‘common’ was not any ideal or any virtue or any higher goal like liberation or moksha rather to produce. Production of materials and things related to materialism became the highest goal of ‘common’ other than this what ever was existed became irrelevant. There is no pursuit of truth, if there is; it should be productive to the mechanism of production. This mechanism of production which is a movement of consciousness of self-interested rationalists, in which comes industrialists and philosophers, poets, cultural thinkers associated to it; is solely based on metaphysics of desire. Desire is the moving force of the production mechanism, in which desire is produced, things of desire is produced even culture of desire is also produced. In this production of desire man is transformed into a little beast, having lost his individuality, his freedom of consciousness; he dreams nothing other than the things of desire. This is the reason that there is no philosophy of dream, no literature of solitude, and no art which reveals mystery.

Philosophy of desire became the enemy of goodness and godliness. In it every thing is bound by desire it is the soul of all living beings. It is the soul of art and culture which has come to an end with the revolutionary appearance of culture industry. Man’s consciousness which have lost its freedom has become ‘common’ consciousness; the consciousness directed towards the goal to produce the humanity of sex and war. Man’s consciousness in the movement of ‘common’ consciousness neither dances nor sings, if he dances and sings it is because of his business; all sacred values are considered marketable and productive. Man has been dehumanized, objectified, and rationalized in the dynamic of materialist production. In the dynamic of production man is constructed, his subjectivity is defined and re-defined. Through out history man’s subjectivity has always been displaced, located, shifted from one system of production mechanism to another.

Is there any option other than the dynamic of materialist production which has now become universal concept of progress, in which man does not exist? When will man find his natural dwelling? When the set meaning of being in the world will change? Is being in the world is being through dynamic of materialist production? Isn’t Heidegger’s suggestion a relevant one in this regard, that man should find an authentic condition of his existence in order to achieve the ideal of being authentically oneself. The ideal of being authentically oneself is what the ideal of Vedanta philosophy is. And later Vedanta as taught in Bhagvata Gita provides complete authentic condition for man to achieve his goal, which he can achieve without losing anything.

Karma yoga opens highway for humanity to reach its goal but without any accident, without any suffering. Rationalists think that there is no philosophy other than objective rationalism in which desire finds its eminence. Because they do say that all philosophies of infinite turn their face towards asceticism. These thinkers never come across the theory of karma yoga and Indian tantrik philosophies in which desire is not discarded rather is being put in a proper plane of idealist discourse. Desire is considered divine in Gita, the teacher of Gita says, ‘desire is myself’ i.e. of the nature of truth itself; but only that desire which does not violate the law of Rit -the dharma underlying all phenomena.(dharma viruddhokamosmi).

In Buddhist Mahayana tantricism desire and passion is being considered as a path to realization of ultimate truth-Sunyata. In Indian philosophies desire has been regarded most important aspect of humans and it was never repressed as in the case of Christianity. In Christianity it is sin because of which man has fallen from the heaven but in Hindu philosophies it is desire when raised spiritually causes liberation.

But alas! Real question of materialist philosophers is not that that desire is not finding its eminence rather how desire could find a proper plane in their discourse of exploitation. Rationalist discourses on life never provided any solution for man. What they provided throughout the ages is ‘the discourses of exploitations’; this that how man could be enchained. How man’s dignity and freedom of consciousness could be placed in the proper plane of materialist production machinery but not in materialist discourse since they know this that it can take a leap( it too can be dangerous for them). And in this they succeeded but since man can not live with bread only, every time they face problem from man’s inner fluttering for liberation. This is why they go on philosophizing, creating bunch of philosophies.

Capitalist production machinery is spending a lot of money to produce a solution to the basic human problem of freedom but under the mechanism of ‘common’ only. But they don’t understand that reason can not provide any solution to humanity since it is divided and confused. Reason can not see the complete truth in its entirety. This is the reason that throughout its history it has a tendency to return back to theologies for support. Reason has destroyed all possibilities of man’s leaping into unknown realities. It has destroyed the tradition of philosophizing “the questioning of extra ordinary’ as Nietzsche have said. The philosophies of reason have always organized things, made arrangements, fitted man in a situation from where he could not escape. The whole history of rationalism shows that it has never had any holy purpose; it was vicious from the very outset, since than, when it rejected the very tendency of people’s questioning about infinity. It rejected man’s quest for timeless value, a timeless truth not from the rational point of view rather from the sake of rejecting itself since it never fully took the systematic rational approach.

For instance, the approach of scientific experimentation is based on the ‘to see the truth’ in the laboratory through physical means only, if any said truth is not tested in laboratory or through any physical testing mechanism it is bluntly declared false. Truth must be seen in microscope since only than it could be utilized, could be usable, could be made for production. Everything sublime was thus destroyed for the sake of materialist production. Though these philosophies of infinity were always helpful in providing humanity some immortal values as for as humanity as such is concerned. For materialist production mechanism these philosophies had been useful throughout the ages and still it is, but now some postmodernist want to destroy the remaining ties too. Because they want to make humanity utterly material, the materially refined man, a man-machine even they want to open factories where subjectivities would be produced.

In producing mechanical subjectivities culture would play the most important role as it played in history. Marxists have used it in their struggle against capitalism. This question of culture is most important regarding society of control and on this issue Theodore Adorno has fought most remarkable war against capitalist ideologues. Being Marxist he was always in the favor of autonomy of culture since he wanted to save man’s ‘being’: pure and authentic. When he was invited by one American researcher of ‘American Traditions of Applied Social Research’ Mr. Paul Lazaesfeld to help in his research on the relations between culture and policy, he refuted his request remarking that, ‘culture is opposed to administration. Culture would like to be higher and more pure, something untouchable which can not be tailored according to any tactical or technical considerations.

In educated language, this line of thought makes reference to the autonomy of culture. Popular opinion even takes pleasure in associating the concept of personality with it. Culture is viewed as the manifestation of pure humanity without regard for its functional relationships within society.’ Against his approach to culture Researcher Mr. Paul reacted that ‘Adorno should aspire to greater empirical precision, that ‘culture might be precisely that condition that excludes a mentality capable of measuring it’. Thus the capitalist intellectuals want to exclude people (those who can raise any question) from the field of culture in order to control them through the culture itself. New destiny of man is machine and he is becoming. All philosophies which advocate man’s freedom through a system are administrative philosophies and are aspiring towards absolute power therefore are against man. When most sublime aspect of humanity is structured, becomes organizational, territorial, productive, and mechanical than know that man is dead. In this dark age of mechanical production of man’s consciousness there is only light; to raise questions and wage a war against those criminals of humanity, who having lost all hopes in the divine play of life want to play the game of war and sex.

Author is an art critic and writer of three books ‘contemporizing Buddha’, ‘ Hindu Tantra Yoga’ and ‘Concerning The Spiritual In Art-an Indian modern art perspective’. He has been awarded with ‘Lalit kala Academy Scholarship Award′ for art criticism in 2005. Currently working on a book ‘Buddhist tantra yoga’. He lives and works in Delhi India.

Video Poker - The Skill Debate

Tuesday, February 28th, 2006

You will find some die-hard video poker players in any brick and mortar casino or in any online casino who have done their homework on the game. These players have read every book imaginable on the subject and are often convinced that the only beatable game in the casino is indeed video poker. The players have studied every variation of the game and are convinced it can be beaten regularly for profit. These people will never believe that their game of video poker is anything less than a game determined by skill and they are right.

Just as in online Texas Hold’em games, video poker games are supposed to deal random hands and give the player the opportunity to use what they know to make the most out of the hand they are dealt. These random hands are valid poker hands and then give the player the opportunity to control the outcome of their game.

Critics of video poker will argue that the game is on a RNG (random number generator just like slot machines) and therefore the machine is set, just as slot machines are to payout a certain amount within a certain time. These same critics would like for you to believe that while you play video poker online, you will be given the illusion of being in total control over your hand when in fact, you are not.

These claims are rubbish if you think about it. The reason is clear. Video poker machines are set to pay back a percentage based on “perfect play” or near perfect play. You will of course have a more favourable outcome if you learn how to play the hands you are dealt with properly so you have a chance of beating the machine. This is true of any card game and just like in the online version of Texas Hold’em, you will increase your chances for a favourable outcome if you play like you are supposed to play.

The RNG can play a significant role in your starting hands of course but the same RNG factor plays a role in the new cards you receive when you discard several that you won’t need to make a winning hand. This is one of those games which can be debated all day long as being a game of chance, but ultimately there have been enough books written on the subject to prove it is indeed a game of skill.

David Walker runs betbonus.co.uk” target=”_blank free bets and poker.betbonus.co.uk” target=”_blank UK poker websites. A free email course: “Seven Days to Better Betting″ is available at both of these websites.

Download Rock Music

Tuesday, February 28th, 2006

There are a number of websites that offer free and paid audio and video rock music downloads. Artistdirect.com was launched in 1994, and soon became one of the most popular online music destinations. Today, Artistdirect.com, Inc. operates the Artistdirect.com network, which averages 13 million visitors and 272 million page views per month. It offers free audio and video streams and downloads, up-to-the-minute music news, an online store, ringtones, ticket sales, album reviews and more. The section on Rock Music features various sub-genres including 1950′s Rock, 1960′s Rock, 1970′s Rock, 1980′s Rock, 1990′s Rock, 2000′s Rock, British Invasion, British Metal, British Psychedelia, Death Metal, Folk Rock, Freakbeat, Garage Rock, Glam Rock, Hair Metal, Jam Bands, Kraut Rock, Mod Revival, Neo-Psychedelia, Progressive Metal, Progressive Rock, Proto Punk, Psychedelic Rock, Pub Rock, Rap Metal, Rockabilly, Skiffle, Soft Rock, Southern Rock, and Speed Metal.

The sectionz.com network is a rock music aficionado’s destination to download rock music on the Internet. The website provides an exciting network for rock music fans and musicians to share their music, learn from their peers, and listen to the works from a number of artists. This is geared more towards aspiring rock musicians rather than rock fans.

The Yahoo! Music Engine can be downloaded on to a personal computer in less than a minute on a broadband connection. Thereafter, rock music fans can import music from their desktop or CDs; the system will identify and import files. Listen to your own collection or choose from a number of radio stations. Buy downloads and share song samples with friends. Else, transfer downloads to portable devices. System Requirements include Microsoft Windows XP or 2000; Internet Explorer 6.0 ; Windows Media Player 9.0 or higher Pentium III 300 MHz processor 128MB RAM and Broadband connection for streaming and buying music.

i-RockMusic.com Rock Music provides detailed information on Rock Music, Rock Sheet Music, Rock Music Code, Download Rock Music and more. Rock Music is affiliated with e-MusicalInstruments.com Musical Instrument Stores.

Best 35mm Rangefinders

Tuesday, February 28th, 2006

Are you spending much time researching for the best model of 35mm rangefinder camera? Then, after reading this article, you will certainly stop searching for it and jump for joy because I’ll tell
you about one of the best ones out there. With the changing of time, cameras have undergone many changes and become compact and handy with specialized features.

Though there have been many kinds of rangefinders, Leica was the first one to make quality 35mm
rangefinder cameras. Leica perfectly suits to the needs of the changing world. You will find Leica 35mm rangefinder very convenient and easy to operate because much of the camera handling is manual. It also has automatic shutter, speed control and other detail improvements to make your job easy.

The lens of this rangefinder has excellent quality. You will surely impress by the lens immediately. With it, you can still make brilliant snapshots under difficult light conditions where other cameras don’t. The Automatic Exposure helps your picture taking much faster. Simply adjust the f-stop and the shutter speed adjusts automatically. This saves your time and makes your picture taking much easier.

Leica 35mm rangefinder camera is one of the most feature laden rangefinder cameras to date. You will definitely notice its features, durability and ‘stunning look′. National Geographic photographer David Allen Harvey and Henri Cartier-Bresson used a Leica rangefinder and appreciated its quality.

You can greatly use it for street photography, portraits, photojournalism and travel. You can also find it the perfect one for discrete documentary photography, what the late Henri Cartier-Bresson referred to as the “decisive moment” photography. So if you care deeply about making great documentary photography images, then perhaps the Leica should be your only 35mm rangefinder camera.

This 35mm rangefinder camera is a joy to use and has everything you could ever wish in the way of
your life.

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Poetry Linked To Love - Part 1

Monday, February 27th, 2006

Most people identify the sonnet as one of the most linked to love poetry forms. However, did you know that there are over twenty different variations?

BRIEF HISTORY

The sonnet is the poetic version of the sonata. First on the sonnet scene, around the 1200’s, were the Sicilian sonnets.

WHAT’S LOVE GOT TO DO WITH IT?

Many sonnets have a love theme. However, a romantic theme is not a requirement.

Francesco Petrarch, a poet in 1300’s Italy, may have started this tradition with a squadron of sonnets to his married (to another) ladylove, Laura.

MUST HAVES

- 14 lines (**A couple exceptions are listed in the variations)

- Set up: An idea, issue, point of view, question, outlook or theme.

- Turn/Volta: Fortify a point, use an opposite point of view, answer a question, or take a change in direction.

- Summary: Wrap it up. Sometimes this step is combined with the volta.

COULD HAVES or WHAT IS THE POET’S CHOICE IN ALL THIS?

- Rhyme scheme (see variations)

- Meter (see variations)

- Where to place the turn/volta. (see variations)

- Topic/theme

Variations of the Sonnet

- Sicilian Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABABABAB CDCDCD or ABBAABBA CDCDCD

OF NOTE: The turn also begins with the ninth line.

- Italian (AKA Petrarchan) Sonnet:

RHYTHM: Iambic pentameter (da DUM da DUM da DUM da DUM da DUM)

RHYME: abbaabba cdecde

OF NOTE: The turn begins with the ninth line.

- Sonetto Rispetto:

RHYTHM: Iambic pentameter

RHYME: ABABCCDD EFGEFG or ABABCCDD EFEFEF

OF NOTE: As in the Italian and Sicilian, the volta starts with the ninth line.

- English (AKA Shakespearean or Elizabethan) Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABAB CDCD EFEF GG

OF NOTE: The volta/turn comes at the ending couplet (which can also summarize the sonnet).

- Spenserian Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABAB BCBC CDCD EE

OF NOTE: Like the English sonnet, the turn comes in the couplet.

- French Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABBAABBA CCDEDE

OF NOTE: The volta comes in the ninth line and has a summarized ending.

- **Caudated (AKA Tailed AKA Miltonian) Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABBAABBA CDECDE EFF FGG

OF NOTE: 20 LINES. Turn comes with the ninth line. The first line in each of the tercets only uses three Iambic feet (da DUM da DUM da DUM). IE: the E in EFF and the F in FGG.

- **Curtal (AKA Curtailed OR Contracted) Sonnet:

RHYTHM: Iambic Pentameter

RHYME: ABCABC DBCDC or ABCABC DCBDC

OF NOTE: 10 1/2 LINES. Volta comes at the seventh line.

- Couplet Sonnet:

RHYTHM: Iambic Pentameter

RHYME: AA BB CC DD EE FF GG

OF NOTE: Poet’s choice on turn placement.

- Crown of Sonnets (AKA Corona of Sonnets):

RHYTHM: Pick any variety of sonnets to use, just stay consistent throughout.

RHYME: Same as rhythm.

OF NOTE: Seven (or fourteen for a “perfect” crown) sonnets linked by repeating lines (like a pantoum). Each sonnet uses the last line of the sonnet before it to begin and the final sonnet’s last line begins the first sonnet. This is not a series (or chain) of sonnets but considered a single (albeit long) poem.

- **Double Sonnet:

RHYTHM: Choose any sonnet variation.

RHYME: Choose any sonnet variation then repeat (or double) it. EXAMPLE: A double couplet sonnet would be - AA BB CC DD EE FF GG AA BB CC DD EE FF GG

OF NOTE: 28 LINES.

- Envelope Sonnet: (Actually only a slight variation of the Italian sonnet)

RHYTHM: Iambic pentameter

RHYME: ABBA CDDC EFGEFG or ABBA CDDC EFEFEF

OF NOTE: The volta begins with the ninth line.

- **Heroic Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABABABCC ABABABCC DD or ABAB CDCD EFEF GHGH II

OF NOTE: 18 LINES.

- Pushkin Sonnet: (Half English and half Italian)

RHYTHM: Iambic pentameter

RHYME: ABAB CCDD EFF EGG or ABAB CCDD EFFE GG

OF NOTE: Made famous by Alexander Sergeyevich Pushkin. If you set it up as the first rhyme scheme (two quatrains and two tercets - more Italian), then the turn would be with the ninth line. If you choose the other (more English), then the volta would be in the ending couplet.

- **Sonnet Redouble’:

RHYTHM: Choose any sonnet variation and stay consistent throughout.

RHYME: Choose any sonnet variation and stay consistent throughout.

OF NOTE: 15 SONNETS. They are linked with each other by the same means as a Crown of Sonnets BUT then each of the linked (repeated) lines create the final sonnet.

- Terza Rima Sonnet:

RHYTHM: Iambic pentameter

RHYME: ABA BCB CDC DED EE

OF NOTE: The turn is usually in the couplet but can be started anywhere in this form.

- Sonnet Sequence (AKA Sonnet Cycle):

RHYTHM: Choose any sonnet variation and stay consistent throughout.

RHYME: Choose any sonnet variation and stay consistent throughout.

OF NOTE: Any number of sonnets (more than one or two, obviously) that are tied by a unifying idea, theme or subject.

- Blank Verse Sonnet:

RHYTHM: Iambic pentameter

RHYME: NONE

OF NOTE: Volta occurs somewhere in the middle.

- Free Verse Sonnet:

RHYTHM: NONE

RHYME: NONE

OF NOTE: Volta occurs somewhere in the middle.

- Sandwich Sonnet: (A combination of Blank and Free Verse Sonnet)

RHYTHM: Iambic or not, you choose.

RHYME: ABCA DEFD AGHIJA or ABCDEDFA AGA DHD

OF NOTE: There is a LOT of freedom with this form, including the rhyme. I gave some examples of what you could use, but they are endless AS LONG AS the rhyme is sandwiched.

- Spanish Sonnet: (Combines the French and Sicilian sonnets)

RHYTHM: Iambic pentameter

RHYME: ABBA ABBA CDCDCD

OF NOTE: Turn is begun with the ninth line.

- Keats Sonnet:

RHYTHM: Use iambic, pyrrhic, spondee or trochee. Pick as many or as few, metrical feet as you like, just stay consistent throughout.

RHYME: ABC ABD CAB CDE DE

OF NOTE: Volta can be found anywhere from the middle onward.

- Rubaiyat Sonnet:

RHYTHM: Iambic tetrameter (Four iambic feet - da DUM da DUM da DUM da DUM) or pentameter (Five iambic feet)

RHYME: AABA CCDC EEFE GG

OF NOTE: Turn is found in the couplet.

- Red Sonnet: (My own invention, which is a slight variation of the English sonnet.):

RHYTHM: Same syllabic count in each line. Any number of syllables can be used, just stay consistent throughout.

RHYME: ABAB CDCD EFEF GG

OF NOTE: Turn and summary meet in the final couplet.

Like any poetry form, learn the rules and then learn what works in breaking them!

© 2006 Holly Bliss. All Rights Reserved. This document may be freely redistributed in its unedited form and on the condition that all copyright references are kept intact along with the hyperlinked URLs.

About the Author: Using her writing as paint on the canvas of her life, Holly Bliss is an eclectic writer, newsletter editor and an author on

Superman RIP Again

Monday, February 27th, 2006

He was one of the most popular heroes of the past century - the star of film, television, radio, novels and most of all, comic books. Writer Harlan Ellison once suggested that he was one of five fictitious characters known to every man, woman and child on the planet (along with Robin Hood, Sherlock Holmes, Tarzan and Mickey Mouse). But when Superman died last year, hardly anyone seemed to care.

The Superman who died saving the universe was the same Superman who debuted in the first issue of Action Comics in 1938. Naturally, this would make him well past retirement age. Indeed, publisher DC Comics had long explained the agelessness of their super-heroes by revealing that their original heroes (who flourished during World War II) all came from a different universe to the contemporary models. When the younger heroes crossed universes, they would find themselves meeting older, semi-retired versions of themselves.

The original, now-deceased Superman was perhaps the greatest of them all. His sales were more consistently high (in the days before every kid had the internet, an XBox, or even a television set), and he started the legend. But he was already old in 1985, when DC decided that he and his wife, Lois Lane, should retire to a place of no return.

All would have been fine - except that 20 years later, DC decided that he should return anyway, in a series called Infinite Crisis. In this ultra-violent series, in which several DC heroes and villains suffered hideous deaths, the first Superman died heroically… and comic-book fans didn’t seem to care.

Why did a hero of this calibre attract such a muted reaction upon his demise? Partly because super-heroes die all the time - and often, they return. The current Superman, for example, was pummelled to death by an alien psychopath in 1992. If this was meant to be a sales gimmick… well, it worked like a charm. The resulting story, “The Death of Superman″, broke comic-book sales records. Within months, however, Superman had been resurrected by Kryptonian technology. Nobody really thought he was dead.

Anyone who watches soap operas might be aware that characters often return to life in various creative ways. In the fantasy world of super-heroes, however, writers can be even more imaginative. In the past, we have discovered that heroes (and villains) have not died as assumed, but had been replaced by androids, clone or cosmic beings. It has been revealed that they had a secret super-power that restored their life, or that they teleported away just in time. In some cases, history has changed, meaning that their death never even happened!

Of course, other heroes simply wouldn’t be allowed to die. Nightwing, co-star of the animated series Teen Titans, was also supposed to die in Infinite Crisis - until DC’s editors stepped in to save him. Killing off a 95-year-old, long-retired hero is one thing, but killing a young TV hero

markjuddery.com/index.html Mark Juddery is a member of srichinmoycentre.org/au Sri Chinmoy Centre in Australia. He is a freelance journalist and has published a book: “1975 - Australia’s Greatest Year″

Excuses for Missing Work

Monday, February 27th, 2006

No matter how much I’ve tried, I just can’t get out of bed this morning. I swear, it’s like I’m nailed to the bed.

I have an awful case of diarrhea and have had to sit on the john for the past three hours. In fact, I’m still there as we speak. It seems I have run out of toilet paper and now have to wait for my roommate to return from work so she can go out and buy me some.

I ate a bean burrito for dinner last night and now my farts stink so bad my dog runs to the front door every time I let one rip. For the sake of my co-workers, it may be best that I not expose them to such toxic fumes.

I accidentally swallowed a sleeping pill instead of my birth control pill this morning. Now I am wobbling all over the place and can’t remember how to get to work.

My roommate cooked a pig in the crockpot all night and it stunk up the entire apartment. I woke up feeling sick to my stomach.

I slipped on a banana skin and fell into a huge pile of dog poo as I was walking to the metro this morning. Since I was wearing my only clean outfit, I had to go back home and run three laundry cycles to get rid of the stain and the smell.

My cat fell from my fourth-floor window. He wasn’t moving for a minute, so I panicked and tried to give her mouth-to-mouth, but she was still conscious and bit me hard on the lip. I had to go to the hospital to get some stitches.

Boss, I am calling you to let you know I won’t be able to come into work today, tomorrow or ever. I’m going to commit suicide as soon as I hang up the phone.

Some kid in the neighborhood played a prank on me and slashed all four of my tires. Now I have to get them all replaced.

I’m having a mental breakdown. I think I’m going to die! Quick, where’s my therapist’s number?

Sir, my privates are itching and burning like hell. I don′t think I could wiggle through another day on my office chair. I need to see my gynecologist asap.

In order to save time and be early for work, I decided to blowdry my hair and wash my face at the same time. Next thing I knew I was in the hospital. The doctors tell me I was electrocuted.

I screamed so much during sex with my boyfriend last night that I completely lost my voice. I don′t think I can come in to answer the phones today. I may need to stay home and rest my vocal chords.

My dog hid my only pair of shoes somewhere in the apartment and won’t tell me where they are. I can’t leave the house until I find them.

There is a huge vicious-looking snake curled up in my shower stall. There’s no way I can take a shower with it. I’ve called animal control, but they said they’d come between 11 am and 3 pm.

Someone broke into my apartment last night. They took my car keys, my car and my wallet, in which I carried my metro passes.

I was kidnapped last night. Fortunately I managed to escape a couple of hours ago at 3 pm.

My doctor thought it best that I stay away from any source of stress for a week.

I won the lottery yesterday and couldn’t wait to spend an entire day shopping.

I have run out of money for gas and metro expenses. I may need a raise soon.

I’m calling in sick and tired of my job, boss.

3.00 pm. Oops, I thought today was Sunday!

I’m in Alaska on a cruise. Thought I’d surprise you. It’s beautiful out here.

I have PMS. Post-Murder-Syndrome. You’re better off without me today.

I’m calling in missing. You can call the police but they won’t find me.

I lost my roommate’s baby. I can’t come to work until I find her or she’ll kill me (and I’ll have to call in dead tomorrow).

I can’t come into work just yet. My heater is broken and my toes are so frozen stiff I can’t get them into my socks.

My cat hit her head really hard on my bed’s headboard when my alarm clock went off this morning. I think I need to take her in for an emergency CAT scan.

It’s such a beautiful day. Can I work from outside?

I can’t come into work today. I seem to have run out of battery. No, not my car. Me.

All of my underwears are soiled and I haven’t done laundry for a month. I may have to stay home and do it all.

Is Microgaming Software Good Enough? Heavy Downloads And New Games Updates

Monday, February 27th, 2006

Microgaming (MG) is the most popular online gaming software that is offered by dozens online casinos today.
It’s likely that the top end quad core machines will shortly become the MINIMUM requirement to
have an all round fun experience at MG casinos. You can simultaneously update three MG casinos, four causes problems… My Dual Core machine has far less trouble running a game while updating, indeed it can handle three simultaneously playing MicroGaming casinos, with slight wobbles evident at four. Once updated,
MG casino software tend to run OK because the PC is doing only the one thing, running the games.

Multiple casinos on a single PC

I’ve always been of the mind that you should find one good casino per software type and be loyal to it, and it will be loyal to you!
Assume you have ten MG casinos loaded.. That’s why you’re running out of disc space! And downloading the casino the “normal way” can
take two to four hours! Somebody can download a full install for an MG casino in 15 to 20 minutes, with a further 10 mins for the
whole install process. The full install insists on loading itself
entirely into RAM to self extract, far too big a mouthful when it gets to around 300 MB. The CD does the same, but is even more out
of date and requires updates.

Heavy Updates

Unfortunately, they don’t keep it up to date, and it often lags several months behind on the update cycle. A few groups provide a
download for the full install. And when when it comes to updates, download and install a couple of games can take 2 (or more)
hours on 1.5 mbp DSL. Everything else on the net zooms along, but the MG casino downloads still chug along, spitting and sputtering
and grinding…

I presumed casino downloads would then be a breeze. Only the new games will not be available, everything else will work in the state
it was in the month prior. In such a case, the casino behaves as though it has yet to be issued, no spluttery games etc. It’s not possible
to alter the system environment to prevent an MG casino from “seeing″ the monthly update.

Slow downloads

The common package PKZIP extracts files and puts them in a tree of directories beneath the main directory,
which can be chosen by the player. What is wrong with being able to download the entire compressed 350Mbyte casino package in a single
go (a download manager would be useful here), and install everything locally in one operation.
However, the download managers cause problems in themselves on many systems, as they attempt to manage the download as though the system was
on dial-up. As to speed, the full casino
is 600 MB, large, but not 4 hours worth! Many have fast broadband, and it would be simpler to directly download the casino file.

Software bugs

There is also an old bug in the AutoPlay of Thunderstruck slots, another where the first two reels stop and 3-5 just keep on spinning away,
until you crash out of the game. It has nothing to do with connections, as the result has reached the client and displayed on first
two reels. Although online casino where I played are looking into this, it seems they are getting nowhere once they have to refer
the problem onwards, presumably to MG. Even a complete clean out and reinstall from scratch has not helped, despite taking nearly
10 hours in total for the pair. What on Earth, Harvey’s and some of the other variable multiplier slots have software bugs too.

New games
What do we have now – something like 200 games? With about 50-60 games released each year?

I would recommend that Microgaming developers take a month or two off from churning out yet more new games which players are hardly
crying out for, and spend it
reviewing and finding ways to improve the overall software package to make it more user-friendly. Either give players the choice to only
download the games they want, or download just one “package” of games per computer which can be accessed
and used by ALL Microgaming casinos.

Monthly Upgrades
When Microgaming releases new games each month, it seems they update all
the existing games also. Why do they do this? When players download a casino for the first time it takes 3-4 hours for the full package to install.
Imagine a new online gambler downloading a MG casino for the first ever
time to try it in practice mode – what is their initial impression going to be? Moreover, during this time the games are subject to slow
play and long connection delays, particularly noticeable on slots when the reels can spin for up to a minute or even more!

In conclusion I would say that although MG online casinos offer the largest number of top-quality, feature-rich state-of-the-art games,
the players have to either play at only a few MG casinos (loosing exciting bonus opportunities) or play reduced no-download Flash version
of the casino software. Moreover, modern MG games are only suitable for those who have broadband Internet connection.

Kevin Osvald is an independent professional online gambler living in Florida, USA. He wrote hundreds of strategy, review and smartplayers.net/News.htm gambling news articles and smartplayers.net online casino reviews. See the list of reputable smartplayers.net/eCOGRA.htm eCOGRA-approved Microgaming online casinos.

Office Space

Sunday, February 26th, 2006

Office Space is a great movie. Michael, Peter and Samir are the subordinates of their boss Lumberg. Lumberg’s leadership traits are peculiar to say the least. However, these traits do fit into the Hershey-Blanchard situational model of leadership. This particular model suggests that leaders need to alter their leadership styles depending on the willingness of their followers to carry out in a given situation.

In applying the Hershey and Blanchard model it is seen that Lumberg uses a telling relationship with his employees. A telling relationship is one in which the supervisor would give specific task directions and closely oversee the work of his employees. This kind of relationship is one of guidance and support. People using this style believe that their employees are not capable and reluctant to perform tasks given to them.

This kind of relationship can first of all be seen in how Lumberg criticizes everything any of his employees do incorrect. When Peter forgets to put a cover letter on his TPS reports Lumberg tells him what he has done wrong on a several of occasions while hanging over his desk. The low level of relationship can be seen in that he does not listen to what Peter has to say about the situation but just goes on telling him about his mistake and how he can correct that. This also shows that he believes that Peter does not know how to do his job.

The telling relationship Lumberg has with his employees can also be seen in that he does not take their suggestions or ask for them for that matter. Instead, Lumberg just gives orders and expects them to be followed. Thus, he is giving guidance to people instead of getting their contribution on anything. In most cases, these Peter, Michael and Samir do not need his supervision because they know their job and would feel more comfy if they were just left alone to do it.

Lumberg does not support his workers but just profoundly supervises them. When Peter needs a break and makes up his mind to stay home on a Saturday Lumberg just continues calling him to tell him to come to work. Peter does not have any power to make decisions on his own but is just continually supervised. This can also be seen in how Lumberg is always watching his employees, criticizing them and asking questions about how their work is coming.

Certainly, he telling style of leadership used by Lumberg was not correct. Peter, Michael and Samir are employees that are very knowledgeable and who need very little control. Thus, Lumberg should have chosen more of a diligent leadership style than he did. This kind of style allows the group to make and be conscientiousness for task decisions. After being told what to do they can do it on their own without much supervision or support. They are all able, willing and confident employees who, if they didn’t feel like they were always being watched, would probably enjoy their job more and thus be more productive and do better work.

In conclusion, Lumberg used a telling leadership style with his subordinates when he should have used something more like the delegating style. This hands-off approach would allow workers to be more positive and do a better job. It would also help in his workers not resenting him so much because of his continuous control.

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The Death of Claudius Of Rome An Elegy

Sunday, February 26th, 2006

Plotting by night his death (via Livia his wife)
the Henchman of hell, Agaliarept
recants that Claudius be spared, a moment
till men beheld a vapor dim upon the moon
with red, gray and purple demoniac gloom.

When charm and rune were whole,
he ruled the world and its golden soul;
made in the image of a three-headed dog,
with teeth that clutched the basin
there was the Henchman of hell, Agaliarept.

He poured poisonous wine (Livia, his divine)
in a pale cup, to the god, Claudius forbid,
knowing the Emperor knew not the venom hid
in that red colorless vermilion wine.
And there in Rome he died.

He gave the world that drank, magic
with, drinking, he dreamt not who had poured for him,
nor did he know the cup came scented of myrrh,
nor why the henchman laughed…!
Nor felt from his dome, his doom.

In all the magic craft that lay
the bitter drop within the drink of the cup
ere, came a pang of fright
there soaked deep into his heart,
the thorn of the wine that gleamed.

No: 1927 8-3-2007 Dedicated to Elise T. Siluk, whom lived the story of “I Clavidivs “(or: “I Claudius”)

Note: Here is an elegy for the Roman Emperor known as Claudius, in all such deaths, I do believe there is a demonic force behind the arms of the slayer. And so in this poem or Elegy, I name the culprits, both of them. Lest we forget hell has its fun, as well as its missions, and hierarchy in its military form. This is often called the figurative idea, something substituted for another. So if it was not the Henchman of Hell, Agaliarept, it surely was one of his kinds.

See Dennis’ web site: dennissiluk.tripod.com dennissiluk.tripod.com